Bundy, Roselee. “Santai Waka: Six Poems in Three Modes.” Monumenta Nipponica 49, no. 2 (summer 1994): 197-227.
Provides an overview and analysis of the Santai Waka.
———. “Santai Waka: Six Poems in Three Modes: Part 2.” Monumenta Nipponica 49, no. 3 (autumn 1994): 261-86.
Provides further analysis of the Santai Waka.
Kato, Shuichi. “The Second Turning Point.” In A History of Japanese Literature: The First Thousand Years, pp. 207-66. London: The Macmillan Press, 1979.
Kato notes Chōmei's keen observational abilities and interest in verifying facts.
Kawashima, Terry. “Performing Sinners: The Asobi and the Buddhist Discourse of Tsumi.” Women & Performance: A Journal of Feminist Theory 12, no. 1 (2001): 43-57.
Examines a story included in the Hosshinshū concerning an asobi, or professional female entertainer.
Pandey, Rajyashree. “Suki and Religious Awakening: Kamo no Chōmei's Hosshinshū.” Monumenta Nipponica 47, no. 3 (autumn 1992): 299-321.
Examines Chōmei's attempt to integrate his art with his vocation as a Buddhist priest.
Additional coverage of Chōmei's life and career is contained in the following source published by the Gale Group: Dictionary of Literary Biography, Vol. 203.