A Jury of Her Peers Summary
by Susan Glaspell

Most critics agree that Susan Glaspell’s “A Jury of Her Peers” is, by far, her best short story. First published in Everyweek on March 5, 1917, the work is a faithful adaptation of her play Trifles, produced the year before by the Provincetown Players. Cook had decided to stage two one-act plays for the company. He already had O’Neill’s Bound East for Cardiff (wr. 1913-1914, pr. 1916, pb. 1919) but needed another, and he told Glaspell to write one. She protested because of her lack of experience as a dramatist and the pairing with O’Neill. Reaching into her past as a courthouse reporter in Iowa, she remembered covering a murder trial and her impressions of entering the kitchen of the accused. She had meant to write about the experience as a short story but had never gotten to it.

So I went out on the wharf . . . and looked a long time at that bare little stage. After a time the stage became a kitchen—a kitchen there all by itself. I saw just where the stove was, the table, and the steps going upstairs. Then the door at the back opened, and people all bundled up came in—two or three men, I wasn’t sure which, but sure enough about the two women, who hung back, reluctant to enter that kitchen.

The play was a big success for Glaspell and the Provincetown Players. It is considered one of the finest short pieces written for the American theater and is frequently anthologized.

Glaspell had only to make minor changes in adapting Trifles to a short story. As with some of her other literary work, the main character is never seen. The setting is the Iowa farm of Minnie Wright. Minnie has been charged with murdering her husband. Her guilt in committing the crime is never questioned. Three men—a sheriff, a county prosecutor, and a neighbor—have come to gather evidence to support the prosecution. Two women—wives of the sheriff and neighbor—accompany the men. Their purpose is to pick up effects for Minnie.

Glaspell skillfully shows how the men and women look at the household differently. While the men seek evidence to convict the accused, the two women come across trifles such as a disordered household, an irregular quilting pattern, and a strangled canary. They conclude that such details are indicative of Minnie’s motivations for the murder. The women gossip openly about Minnie’s abusive and authoritarian husband and discuss why they sympathize with her desperate act. Glaspell creates a courtroom in that Iowa farmstead, and the women become jurors who decide that Minnie is not guilty. They base their judgment not on legality but on simple humanity and compassion. The women decide not to reveal their evidence to the male investigators out of respect for Minnie’s long suffering.

Martha Hale is baking bread one cold March morning when the county’s most extraordinary scandal forces her out of her kitchen. She has been asked by Sheriff Peters to assist his wife in gathering personal belongings for Minnie Wright, whom he has jailed on suspicion of murdering her husband. Martha approaches the Wrights’ isolated farmhouse with her husband, Lewis, Mr. and Mrs. Peters, and George Henderson, the county attorney. She pauses before crossing the threshold, overwhelmed with guilt because she had never visited in the twenty years Minnie, her girlhood friend, has been married. She nervously listens to her husband...