Jupiter's Bones

by Faye Kellerman

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Literary Techniques

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In this intriguing mystery novel, much of the enigma is diminished as Kellerman leans heavily on the raw, factual elements of the Heaven's Gate, Waco, and Jonestown tragedies. Midway through the narrative, Kellerman unveils the murderer, transforming the latter half into a gripping thriller where Decker races against time to rescue the Order's children from the clutches of the charismatic yet sinister guru, Bob. Yet, in classic mystery fashion, Kellerman deftly uses several characters as red herrings in the novel's first half. Europa, Asnikov, along with the enigmatic gurus Venus, Nova, and Pluto—none of whom are quite saintly—serve as clever distractions, diverting suspicion away from the true villain, guru Bob.

Kellerman intriguingly employs the technique of dual identities, assigning most characters two names and alternating between them throughout the story. Every member of the Order adopts an alias (with even Bob hiding behind a pseudonym), while Decker and his team are sometimes called by their first names, other times by their last. At the Decker residence, Rina and her sons effortlessly switch between their Hebrew names—Rema, Yonkeleh, and Shmuel—and their more conventional titles. This can lead to occasional confusion, but perhaps it mirrors Kellerman’s exploration of the fluidity of identity. Though their names may shift, the essence of the characters remains unchanged.

While the book's main storyline might seem predictable due to its echoes of real-world events, what truly brings this novel to life is Kellerman's adeptness at exploring personal relationships and conflicting values. The subplot involving Decker's domestic challenges stands as the true heart of Jupiter's Bones, grounding an otherwise fantastical narrative. This technique, reminiscent of Ray Bradbury's storytelling prowess, shines through. Although Bradbury masterfully weaves real human emotions into his tales of the extraordinary, Kellerman's approach, though not as refined, effectively renders Jupiter's Bones a relatable tale that resonates with readers on a personal level.

Ideas for Group Discussions

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The Enigma of Cult Psychology

The psychological intrigue surrounding cults, especially those notorious for tragic suicides, captivates the imagination of the public. Kellerman delves into the psyche of such groups, and explores their often fraught relationship with what is deemed "normal" society. Yet, as is frequent in Jupiter's Bones, the narrative unfolds in shades of gray, eschewing any notion of absolute morality or definitive conclusions.

Reflections and Perspectives

1. Europa offers a poignant contemplation about her father, asserting that "I think the Order made Dad better. Better meaning more sane or more... conventional. The sect gave him a title, gave him a forum for his lunatic ideas, gave him respect, gave him a home and a woman." Could one argue that the seasoned members of the Order, at least some, found solace and improvement within its bounds rather than in a society that shunned them? And what fate befalls the children ensconced in the Order?

2. Kellerman hints at a subtle distinction between a socially endorsed religious group and a destructive cult: the "freedom" bestowed upon its followers. Does this assertion hold water? What are the reasons for or against it?

Fiction Meets Reality

3. The narrative threads of Jupiter's Bones draw heavily from the fabric of real-world headlines. Does this blend of fiction and reality enhance or detract from the tale?

Parental Decisions and Consequences

4. Decker grants considerable autonomy to Rina's sons, allowing Samuel to attend a school in a volatile region of Israel, despite his reservations, while Jacob explores his freedom through substance use and pornography. Is Decker’s approach justifiable? Why or why not?

Modern Parallels

5. Presently, America finds itself embroiled in a struggle with the radical religious faction, the Taliban. How does the...

(This entire section contains 423 words.)

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Taliban's ideology and practices align with or diverge from the religious sects depicted inJupiter's Bones? By Kellerman's metric of freedom for its members, how does it measure up?

Dual Narratives

6. In Jupiter's Bones, Kellerman weaves a compelling tapestry of familial discord and value clashes, keeping this subplot distinct from the central narrative of the Order. What benefits and drawbacks arise from maintaining such separate story arcs?

7. Kellerman employs the intriguing device of bestowing dual identities upon most characters, oscillating between these names, possibly to accentuate her theme of relativity. Is this approach effective? What other objectives might Kellerman aim to achieve with this strategy?

Realism and Character Depth

8. While members of the Order often appear otherworldly, Decker and his family are grounded in realism. How does Kellerman craft Decker and his family to be so vivid and relatable?

Social Concerns

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Jupiter's Bones stands as a masterstroke of compelling fiction inspired by real-world events. In her eleventh foray into the world of mystery, Faye Kellerman deftly adapts the haunting reality of the 1997 Heaven's Gate mass suicide, weaving a narrative that shifts key details—a charismatic cult leader trades mathematics for college astrophysics, and the sun-drenched landscape of San Diego becomes the urban sprawl of Los Angeles. Infusing her plot with echoes of Waco and Jonestown's grim legacies, Kellerman entrusts the chilling tale to her stalwart detective, Lieutenant Peter Decker. In doing so, she crafts a story more thriller than mere mystery, as Decker delves into the enigmatic death of the cult leader, racing against time to save the innocent children from a looming catastrophe. Throughout, Jupiter's Bones endeavors to unravel the sinister psyche driving cults, while probing the societal clash between fervent religious extremism and modern norms.

The Death of Father Jupiter

The narrative unfurls with the demise of its titular figure, Father Jupiter, the magnetic leader of the insular Order of the Rings of God. Two and a half decades ago, he was known to the world as Dr. Emil Euler Ganz, a celebrated astrophysicist. But when his theories on time travel, spurred by alien voices, spiraled beyond reason, his wife discreetly committed him to a mental institution. Emerging a decade later as Jupiter—a nod to his celestial expertise—he founded the Order. While his death at first seems a tragic cocktail of alcohol and valium overdose, the scent of foul play soon permeates the air. Detective Decker and his team find themselves entangled in the mystery, as the cult's ominous secrets beckon them inside its guarded compound, offering Kellerman a canvas to paint her insights on the cultist mind.

Inside the Order

Kellerman’s depiction of the Order’s inner workings offers well-trodden ground—the leaders emerge as societal outcasts railing against traditional authority, their disdain for police emblematic of their rebellion against the outside world. This is particularly embodied in Pluto, one of Jupiter’s core aides, a perpetually red-faced and irascible character who menaces Decker and his cohort for daring to impose "external" regulations on the Order. Yet, the Order’s leaders prove hypocritical in their own draconian enforcement of rules, a fact glaringly evident in their treatment of the Order’s children, who become the heart of the tale.

The children, portrayed as compliant and dependent, are shepherded by the Order’s doctrine, their loyalty unwavering. Yet, beneath the façade of care lies the cult's dark underbelly of psychological abuse. Kellerman paints the cult's malevolence as stemming from its obliteration of free will. Reuben Asnikov, a prominent psychologist aiding Decker, elucidates: "Jupiter doesn’t want to give his followers freedom. . . . He keeps his adherents away—away from freedom, away from their pasts and from parents or old friends." A recurrent motif of sexual abuse threads through the Order, as all the female members suffer such violations, a truth bluntly underscored by Lauren, a defector: "They’re all perverts."

The Paradox of Guru Bob

Amongst the Order's leaders, guru Bob stands out in his refusal of celestial nomenclature. "Unlike most of the people here, I wasn’t running away from myself per se. Just running to something better, my spirit being my compass," he confides to Decker. Yet, Bob unfurls as the most disturbed of the lot—his hands stained with Pluto’s blood, his mind twisted towards leading the children to a chilling end with tainted Kool-aid, and the compound's fiery demise echoing Waco’s horror. Despite scant explanation for Bob’s descent, his history is marred by sexual dysfunctions; he reacts to lawbreaking with arousal and imposes himself on female Order members, underscoring the cult's pervasive depravity.

Religious Extremism and Modernity

Jupiter’s Bones also probes the dissonance between religious zealotry and contemporary society. To Decker and his team, the Order appears as a misguided congregation, dangerous in their delusions. Yet, Ganz's past brilliance as an astrophysicist, coupled with the intellectual prowess of his followers, including the children, presents a curious blend of fervent faith and scientific rigor, an unlikely amalgamation.

This theme reverberates through a secondary plotline, intertwining the investigation with Decker's own domestic battles. Here lies the core of Kellerman’s success—Decker's personal life, enriched by his marriage to Rina Lazarus, an Orthodox Jew. Together since The Ritual Bath (1986), their relationship navigates the challenges of blending his secular duties with the tenets of Orthodox Judaism.

Reuben Asnikov, the insightful psychologist, further delves into the origins of mainstream religious practices, many of which trace their roots to cult-like movements founded by visionary leaders:

Most of your religious variants started as open cults, founded on isms by a charismatic leader who held a vision. Some examples: Christian Science developed by Mary Baker Eddy . . . Mormonism with Brigham Young's sighting of the angel, Maroni, Jewish Chasidism with the Ba'al Shem Tov. Today, many of these cults have been integrated into standard American religious practices. But way back when, these leaders were ridiculed and ostracized.

Kellerman subtly invites us to ponder a provocative question—how do modern cults truly differ from established religions? Particularly when these cults are steeped in the rigor of scientific thought? For Kellerman, the answer emerges from her primary societal theme—the absolute domination over the psyche and body of cult adherents. As Asnikov notes, "Ah, but there's a significant distinction. In these open cults... they possess the liberty to come and go. No one is coercing them to remain." Conversely, within the Order, its followers are "denied contact with the external world"; they exist as "prisoners."

Literary Precedents

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Jupiter's Bones comfortably nestles among the plethora of mystery novels lining the shelves of grocery-store checkout lanes. Though it may not shatter any literary barriers, the book captivates readers and delves into society's morbid curiosity with real-life cult catastrophes. Kellerman weaves a tale using the same compelling characters familiar from her prior works, a practice cherished in the mystery genre by legendary figures such as Agatha Christie with Miss Marple and Hercule Poirot, or Sir Arthur Conan Doyle with his iconic duo, Sherlock Holmes and Watson.

Contemporary Mystery Maestros

In the realm of modern mystery scribes, Patricia Cornwall, Sue Grafton, and Anne Perry stand as kindred spirits, each bestowing upon the world unforgettable characters who unravel enigma after enigma. Patricia Cornwall breathes life into Kay Scarpetta, a formidable chief medical examiner in Virginia's Commonwealth — a role she nearly lived herself, having served both as a police officer and a long-time member of the medical examiner's office. Meanwhile, Sue Grafton spins tales around Kinsey Millhone, a 32-year-old Californian investigator, twice divorced, childless, an ex-cop who navigates the world alone. Her series, cleverly titled after the English alphabet, began with A is for Alibi in 1982, leading up to P is for Peril in 2001.

Anne Perry transports readers to Victorian England, where the astute Charlotte Pitt, alongside her detective husband Thomas, unravels mysteries in a series spanning nineteen novels, including the latest, Half Moon Street (2000). Each author crafts a rich tapestry of intrigue, ensuring their characters linger long after the final page is turned.

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