Julio Cortázar

Julio Cortázar Criticism

• Cortázar, Julio (Vol. 10)
  • Introduction
  • David I. Grossvogel
  • Destructive and Ironically Redemptive Fantasy in Cortázar
  • 'Los reyes': Cortázar's Mythology of Writing
  • The New Man (But Not the New Woman)
  • The Ambivalence of the Hand in Cortázar's 'Fiction
  • David William Foster
• Cortázar, Julio (Vol. 5)
• Cortázar, Julio (Vol. 3)
• Cortázar, Julio (Vol. 2)
• Cortázar, Julio (Contemporary Literary Criticism)
  • Introduction
  • Principal Works
  • Criticism
    • Moving Snapshots
    • Hopscotch: The Novel as Pandora's Box
    • On the Hop
    • Hopscotch
    • Julio Cortázar with Evelyn Picon Garfield
    • Julio Cortázar: Self-Explanation & Self-Destruction
    • Introduction: Toward the Last Square of the Hopscotch
    • Morelli on the Threshold
    • 'The Infinite Game': Cortázar's Hopscotch
    • In the Name of the Author: Reading Around Julio Cortázar's Rayuela
  • Further Reading
• Cortázar, Julio (Vol. 13)
  • Introduction
  • Julio Cortázar's 'Hopscotch' and Argentinian Spiritual Alienation
  • 'La autopista del sur' and the Secret Weapons of Julio Cortázar's Short Narrative
  • Truth and Deception in Cortázar's 'Las Babas del Diablo'
  • Vampires and Vampiresses: A Reading of '62
  • 'Octaedro': Eight Phases of Despair
  • Jorge H. ValdéS
• Cortázar, Julio (Vol. 15)
  • Introduction
  • Cortázar's 'Hopscotch' and Other Games
  • Lying to Athena: Cortázar and the Art of Fiction
  • Accomplice after the Book
• Cortázar, Julio (Short Story Criticism)
  • Introduction
  • Principal Works
  • Criticism
    • Prefabrication in Julio Cortázar's ‘Lugar Llamado Kindberg’
    • Dominator-Dominatrix: Sexual Role-play in Julio Cortázar's ‘La señorita Cora’
    • Julio Cortázar: The Fantastic Child
    • The Other Origin: Cortázar and Identity Politics
    • ‘Blow-Up’: A House with Many Stories
    • Film is Stranger than Fiction: From Cortázar's ‘Las Babas Del Diablo’ to Antonioni's Blow-Up
    • Graffiti as Story and Act
    • Cortázar's Plural Parole: Multilingual Shifts in the Short Fiction
    • Cortázar: On Critics and Interpretation
    • Julio Cortázar's Axolotl: Literary Archaeology of the Unreal
    • Writing/Fantasizing/Desiring the Maternal Body in ‘Deshoras’ and ‘Historias que me Cuento’ by Julio Cortázar
    • What Does Luciana Want? Reclaiming the Female Consciousness in Cortázar's ‘Cambio de Luces’
    • Shifting Symbols in Cortázar's ‘Bestiary’
    • Physical Competition and Identity in ‘Día Domingo’ and ‘Final del Juego’
    • Death and the Phantasm: A Reading of Julio Cortázar's ‘Babas del Diablo’
    • Narrating the Other: Julio Cortázar's ‘Axolotl’ as Ethnographic Allegory
    • Writing for Distinction?: A Reading of Cortázar's Final Short Story, ‘Diario para un Cuento’
    • Illusive Reality in Cortázar's ‘Las Babas del Diablo’ and Antonioni's Blow-Up
    • Residential Unhomes in Short Stories by Julio Cortázar and Ilse Aichinger
  • Further Reading