Joyce Carol Oates Biography
Joyce Carol Oates, born in 1938, spent her formative years growing up on a farm in Lockport, New York. Although the Great Depression hit her family hard, she was always encouraged to write.
When she was fourteen, Oates was given a typewriter by her grandmother; from that day on, Oates has been writing novels. Her themes generally revolve around the nature and effects of violence and the simultaneously strong but fragile human psyche, particularly as it pertains to women’s lives.
Her novels Black Water (1992) and What I Lived For (1994) were both nominated for the Pulitzer Prize in literature. Her short stories have appeared in almost every issue of Prize Stories: The O. Henry Awards for the last forty years.
Facts and Trivia
- Oates’ won Mademoiselle’s short story contest when she was just nineteen.
- Joyce Carol Oates is Distinguished Professor of the Humanities at Princeton. In 1996, she received the PEN/Malmud Award for a “lifetime of literary achievement.”
- Of the literary life, Oates has said: “The field of writing is filled with tension. Any kind of artistic activity is. It’s not, I think, psychologically healthy in some ways. It’s very agitating and turbulent...And I find that it’s fraught with anxiety much of the time.”
- Not all critics are fans of the author’s work. One frequent criticism is that she writes far too much to be serious enough about what she produces. To date, Oates has published thirty-seven novels, twenty-three volumes of short stories, and four volumes of plays.
- We Were the Mulvaneys (1996) was an Oprah Book Club selection in 2001, bringing the critically acclaimed and already popular author to an even wider audience.
Biography
Joyce Carol Oates was born on June 16, 1938, in Lockport, New York, a small city on the Erie Barge Canal near Buffalo, to Fredric James and Caroline (Bush) Oates. Her father was a tool and die designer, and Oates’s childhood was spent in a rural town, where she attended a one-room schoolhouse. From earliest memory she wanted to be an author. As a small child she drew pictures to tell stories; later she wrote them out, sometimes producing handwritten books of up to two hundred pages with carefully designed covers.
Oates’s childhood was simple and happy, and she developed a closeness to her parents that flourished in her adult years. Her brother, Fredric, Jr., was born in 1943, and her sister, Lynn Ann, in 1956; in that year Oates graduated from Williamsville Central High School, where she had written for the school newspaper, and was entering Syracuse University under a New York State Regents Scholarship, the first in her family to attend college. During her freshman year, a tachycardiac seizure during a basketball game profoundly affected her view of life by bringing her face-to-face with her mortality. She continued writing stories, and in 1959 she was selected cowinner of the Mademoiselle college fiction award for “In the Old World.” An excellent student, she was elected to Phi Beta Kappa and graduated in 1960 at the top of her class.
She received a Knapp Fellowship to pursue graduate work at the University of Wisconsin, where she met a Ph.D. candidate named Raymond Joseph Smith. She and Smith were married on January 23, 1961, and later that year she received her M.A. in English. Smith and Oates moved to Texas, where he taught in Beaumont and she began doctoral work at Rice University in Houston; however, with one of her stories appearing on the honor roll of Martha Foley’s Best American Short Stories, Oates soon decided to devote herself to her writing.
Her first collection of stories, By the North Gate, appeared in 1963, followed a year later by her first novel, With Shuddering Fall, which, like many of her stories, depicted passionate individuals and violent situations. In 1967, A Garden of Earthly Delights appeared as the first novel in a thematic trilogy exploring the American obsession with money. It was followed by Expensive People (1968) and them (1969), the latter earning the 1970 National Book Award.
Oates taught at the University of Detroit from 1961 to 1967, when she and Smith accepted teaching positions at the University of Windsor in Ontario, Canada. A prolific author, Oates continued publishing stories in such periodicals as Literary Review, Prairie Schooner, and Cosmopolitan, and she produced a steady flow of books, including the novels Wonderland (1971), Do with Me What You Will (1973), The Assassins: A Book of Hours (1975), Childwold (1976), Son of the Morning (1978), and Angel of Light (1981); the story collections Upon the Sweeping Flood (1966), The Wheel of Love (1970), Where Are You Going, Where Have You Been? (1974), The Goddess and Other Women (1974), The Seduction (1975), Night-Side (1977), and A Sentimental Education: Stories (1980); and volumes of poetry titled Anonymous Sins, and Other Poems (1969), Angel Fire (1973) and Women Whose Lives Are Food, Men Whose Lives Are Money (1978). Various other writings—essays, plays, and reviews—add to the unusual breadth of her oeuvre.
In 1978, Oates moved to New Jersey to become the Roger S. Berlind Distinguished Professor in the Humanities at Princeton University. From their home, she and Smith edited The Ontario Review and ran a small publishing company associated with...
(This entire section contains 951 words.)
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the literary magazine. As her body of work grew, so did its formal and thematic diversity.Bellefleur (1980), A Bloodsmoor Romance (1982), and Mysteries of Winterthurn (1984) are experimental ventures into the genres, respectively, of the family chronicle, the romance, and the gothic mystery. After the experimental trilogy, her work turned more toward a modern naturalism. In the 1980’s, her output included the novels Solstice (1985), You Must Remember This (1987), and American Appetites (1989) and the collections Raven’s Wing (1986) and The Assignation (1988). In the 1990’s, her novels included Because It Is Bitter, and Because It Is My Heart (1990), Black Water (1992), Foxfire: Confessions of a Girl Gang (1993), What I Lived For (1994), We Were the Mulvaneys (1996), and Broke Heart Blues (1999), as well as the short-story collections Haunted: Tales of the Grotesque (1994) and The Collector of Hearts (1998), the poetry collection Tenderness (1996), and several collections of plays. She continued her prolific output into the twenty-first century, with novels such as Blonde (2000), I’ll Take You There (2002), and The Falls (2004), as well as the short-story collections Faithless: Tales of Transgression (2001) and I Am No One You Know (2004).
Oates’s many honors include several O. Henry Awards for her short stories, Guggenheim and Rosenthal Fellowships, and election to the American Academy and Institute of Arts and Letters. She has had several National Book Award, National Book Critics Circle Award, and Pulitzer Prize nominations for her fiction, and in 2001 she won the National Book Award again for Blonde. In 2003, she was the recipient of the Common Wealth Award for Distinguished Service in Literature. She has traveled and lectured widely, and in December, 1987, was among a group of American artists, writers, and intellectuals invited to greet Soviet president Mikhail Gorbachev at the Soviet embassy in Washington, D.C. Over the years, her works have been translated into many other forms, including film, theatre, opera, and sound recordings. She has produced books on subjects as diverse as art and boxing, and has written widely on modern literature, collecting thirty-eight pieces from The New York Review of Books, The Times Literary Supplement, and The New York Times Book Review into Uncensored: Views and (Re)views (2005). Her extensive expression as a writer, thinker, and teacher have ensured Oates’s role as a respected and vigorous participant in American intellectual and literary life from the 1960’s onward.
Criticism by Joyce Carol Oates
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The World of Moderation
R. K. Narayan Criticism
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Haunted by Salmon
Sherman Alexie Criticism
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Yeats: Violence, Tragedy, Mutability
William Butler Yeats Criticism
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Poetry: 'The Night Traveler'
Mary Oliver Criticism
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A Child with a Cold, Cold Eye
Stevie Smith Criticism
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The Canadian Inheritance: Engel, Munro, Moore
Alice Munro Criticism
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Principal Works
Joyce Carol Oates Criticism
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An Interview with Joyce Carol Oates
Joyce Carol Oates Criticism
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Books and Arts: 'Darkness Visible'
William Golding Criticism
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Review of Sleepers Joining Hands
Robert Bly Criticism
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Children of the Black Sabbath
Anne Hébert Criticism
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Out of Stone, into Flesh: The Imagination of James Dickey, 1960-1970
James Dickey Criticism
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Anthropology-or Fiction?
Carlos Castaneda Criticism
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On Small Farms from Cork to Cavan
William Trevor Criticism
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Sold South
Jane Smiley Criticism
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Troubles I've Seen
John Edgar Wideman Criticism
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One for Life, One for Death
Maxine Kumin Criticism
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Two Poets
Carolyn Forché Criticism
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The Critics
Eudora Welty Criticism
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Pilgrim's Progress
Mary Karr Criticism
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Male Chauvinist?
Norman Mailer Criticism
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Review of Judith and Other Stories
James T. Farrell Criticism
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An Airy Insubstantial World
John Cheever Criticism
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Books Considered: 'One Half of Robertson Davies'
Robertson Davies Criticism
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An Endangered Species
Carol Shields Criticism
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Joyce Carol Oates on Poetry
David Ignatow Criticism
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Trauma, Coping, Recovery
Alice Sebold Criticism
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Inside the Locked Room
P. D. James Criticism
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The Interior Castle: The Art of Jean Stafford's Short Fiction
Jean Stafford Criticism
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The Interior Castle: The Art of Jean Stafford's Short Fiction
Jean Stafford Criticism
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Death Dance: Twenty-five Stories
Angus Wilson Criticism
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Love and Other Illusions
Iris Murdoch Criticism
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Silences
Tillie Olsen Criticism
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Bleak Craft
Paul Bowles Criticism
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The Authority of Timelessness: 'Under Stars'
Tess Gallagher Criticism
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Many Stories
Laurie Colwin Criticism
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A Tale of Love and Idolatry
Brian Moore Criticism
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Please Tell Me It's Just a Story
Leonard Michaels Criticism
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The Case of the Canned Lawyer
Janet Malcolm Criticism
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The Need to Communicate
Joanne Greenberg Criticism
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From England to Brooklyn to West Virginia: 'The Stories of Breece D'J Pancake'
Breece D'J Pancake Criticism
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The Perfectionists
Gail Godwin Criticism
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Harriette Arnow's The Dollmaker
Harriette Arnow Criticism
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Killer Kids
William March Criticism
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Honey and Bill and Dan and Celia
Alison Lurie Criticism
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Post-Borgesian
Stanislaw Lem Criticism
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Monet, Summer, 1900
Eva Figes Criticism
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Miss Brophy's Probing Pen
Brigid Brophy Criticism
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Realism of Distance, Realism of Immediacy
J(ack) R(ichard) Salamanca Criticism
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Risk-Taking
Gilbert Rogin Criticism
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The Pregnant Man
Robert (Schaeffer) Phillips Criticism
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An Imperative to Escape the Prison of Gender
Carolyn Gold Heilbrun Criticism