[Josephine Miles's] "To All Appearances" (keep your eye on the title as you read her) is a noteworthy publication, especially for critics who may have taken Miss Miles too readily at her own word in the past: the empiricist prepared to eliminate from her verse all the felicities save those of the denotative voice. She had her tongue in her cheek. Among the new poems in this collection are some scarlet with indignation, if you read them properly. Miss Miles is excruciatingly personal, never solipsistic; she is engagé but not yours for the keeping; her accent is mid-west; she sees ghost goal-keepers. (p. 592)