Joseph Hall 1574-1656
English satirist, poet, philosopher, and religious essay writer.
A prominent Anglican bishop, Hall is chiefly remembered as a moderate arbitrator in the bitterly divisive ecclesiastical battles between the conservative Puritan and liberal Episcopal factions of the Church of England in the decades preceding the English Civil War. His pioneering secular and religious literary output includes satires, moral epistles, didactic character sketches modeled after the Greek philosopher Theophratsus, meditative verse, and religious essays detailing his moral and theological philosophy. Styled by his contemporaries as “our English Seneca,” Hall was a significant contributor to the neo-stoic movement in England in which the pagan classics, especially Seneca's stoic philosophy, were reconsidered and enhanced within the context of Christian values and ideals.
Hall was born in Ashby-de-la-Zouch, Leicestershire, to John and Winifride Hall on July 1, 1574. His father was a bailiff for Henry Hastings, the Earl of Huntingdon; his mother was a devout Calvinist whose spiritual mentor was the noted Puritan minister, Anthony Gilby. Hall studied at the Ashby Grammar School, founded by Huntingdon with a curriculum set by Gilby. His aptitude as a student convinced his parents to send him to Emmanuel College, Cambridge, at the age of fifteen, where he studied under Gilby's son, Nathaniel. Hall entered Emmanuel College in 1589, received his Bachelor of Arts in 1592 or 1593, and became a Fellow of the college in 1595. He took Holy Orders in 1600, though he continued to study through the decade to come, earning a Bachelor of Divinity in 1603 and a Doctor of Divinity in 1610. During his years at Emmanuel, Hall began experimenting with verse satire, which ultimately comprised the six books of Virgidemiarum (1597-08). He published the first three books in 1597 under the subtitle “Tooth-less Satires”; a year later, he released the remaining books under the subtitle “Biting Satires.” During this time, he probably also began work on a prose satire entitled Mundus Alter et Idem (1605). After taking orders, Hall accepted the rectorship of Hawstead, Suffolk, claiming the patronage of Sir Robert and Lady Anne Drury, who may have provided his connection to John Donne. When the Drurys’ daughter Elizabeth died in 1610, Donne composed poems for the first and second anniversaries of her death—the famous Anniversaries of 1611 and 1612. Hall provided a preface for each of these poems and also helped Donne with the publication of the second when Donne was abroad with Drury. In the meantime, Hall married Elizabeth Winiffe in 1603; their union produced six sons and two daughters. He also began writing manuals for Protestant meditation and other works of Christian thought, including Meditations and Vowes (1605-06) Heaven upon Earth (1606), and The Arte of Divine Meditation (1606). Further, he wrote essays which infused classical literary models with his own brand of Christian morality. These essays and sketches were collected in his Epistles (1606-08) and Characters of Vertues and Vices (1608). In 1606, Prince Henry was in attendance during one of Hall's sermons at Richmond Palace. The prince was so moved by the sermon that he offered Hall a position as an occasional chaplain at court. Soon thereafter, Hall's career in the church began to flourish: he assumed the rectorship of Waltham, Norwich, in 1608; he was named Archdeacon of Nottingham in 1611; he was appointed Dean of Worcester in 1616; and he became a representative of the Anglican church accompanying James to Scotland for the Perth Conference of 1617. Early on in his career, Hall had earned a reputation for having a moderate stand on controversial ecclesiastical matters and for attempting to negotiate with religious opponents, especially Catholics. To dispel growing concerns about his beliefs, Hall published his first self-defense in A Common Apologie of the Church of England (1610) to assure James I and the Church of England of his unwavering support of the episcopacy. Nevertheless, he continued to find himself in the middle of numerous heated ecclesiastical controversies between the extremist factions of Anglicans, Puritans, and Catholic sympathizers all trying to gain political and religious advantage in an intensely conflicted time. Despite his involvement in these myriad controversies or perhaps because of his abilities as a mediator, Hall was promoted to the prestigious position of Bishop of Exeter in 1627. His generally futile attempts to steer all parties to common ground are reflected in his major works of this period: The Olde Religion (1628), The Reconciler (1629), and Episcopacie by Divine Right (1640). But it was his An Humble Remonstrance to the High Court of Parliament (1640) which ensnared Hall in the most sensational and bitter war of words in his lifetime. In this work, Hall took exception to a Puritan-supported plan to abolish the episcopal hierarchy of the Anglican church. In response, a group of Puritan clergymen who styled themselves the “Smectymnuus” engaged Hall in a pamphlet war challenging the various theological points of the issue. Before long, John Milton joined the fray on the side of the Smectymnuuans and effectively wore down Hall with infamous and vicious attacks which ultimately cast aspersions on his character rather than addressing his points of argument. Hall's misfortunes increased as the monarchy under Charles I—James's successor—began to weaken under pressure from the Puritan-dominated parliament. By December 1641, Hall was imprisoned in the Tower of London, charged, along with twelve other bishops, with high treason. He was eventually released and assigned the bishopric of Norwich in 1642, but his time there was brief. With the passage of the Ordinance of Sequestration in 1643, Hall lost his position and any income associated with it. He continued living at Norwich until 1648, when he was evicted from his home. He moved his family to Higham, where he continued to write and to deliver occasional sermons until his death on September 8, 1656.
Hall's major writings can be classified into three groups: satires and moral essays, meditations, and ecclesiastical treatises. In his Virgidemiarum, Hall boldly declared himself England's first satirist. While the claim does not necessarily stand up to scrutiny—indeed, other writers had already introduced a colloquial brand of satire—Hall does deserve credit for applying the fundamental rules of classical verse satire to the English language. Modeled after Seneca, a significant characteristic of Hall's poetic style was the employment of terse, aphoristic verse to convey his satirical sentiments. Such a device was a radical departure from the verbose, ornate Ciceronian style which had been favored by Continental and English writers throughout the sixteenth century. Further, Hall adhered to classical sources which employed satire as a vehicle for moral instruction and for the advocacy of social improvement. Indeed, Hall enhanced the aesthetic philosophy of his sources, demonstrating how morality and social responsibility can be achieved through a devotion to Christian ideals. These fundamental concepts inform many of Hall's early works, including Mundus Alter et Idem, Characters of Vertues and Vices, and the Epistles. Hall also influenced the development of meditational verse and instruction. In his seminal The Arte of Divine Meditation, he espoused a departure from the traditional Catholic method of relying on the imagination to initiate mediation. In contrast, he advocated that one should read and meditate on biblical verses to achieve inspiration. To that end, Hall wrote a number of works on mediation, including Meditations and Vowes, Heaven Upon Earth, and Occasionall Meditations (1631). As a leading figure in the Anglican church during a tumultuous period for English politics and religion, Hall contributed a vast array of ecclesiastical treatises detailing his moderate solutions to resolving many divisive issues. An advocate for the “via media,” or the middle road, Hall challenged all groups at every point of the religious spectrum to identify and compromise on key theological and episcopal points in an effort to stabilize the Church of England. Nevertheless, Hall's attempts to establish an atmosphere of moderation and understanding among his fellow clergymen often succeeded in only stirring up more controversy within the church. Hall's treatises addressing ecclesiastical policy and interpretation include A Common Apologie of the Church of England, The Olde Religion, Episcopacie by Divine Right, and An Humble Remonstrance to the High Court of Parliament.
Despite that fact that he was a genuine literary innovator on several fronts, Hall has been chiefly remembered as the unfortunate recipient of Milton's attacks. However, as literary scholars have come to assess the full measure of Hall's literary and ecclesiastical accomplishments, his reputation as a pivotal figure in the Tudor and Jacobean periods has been assured. Many critics have examined Hall's early forays into satirical writing, particularly focusing on how Hall transformed Senecan satire into a vehicle to express his own Christian values. Indeed, Richard A. McCabe (1982) has maintained that Virgidemiarum is a seminal work in which Hall sets out to satirize Elizabethan social and moral attitudes from a Puritan perspective, demonstrating how the author masterfully employed a strict classical form of satire to protest social injustice and immorality. Many reviewers have also asserted that Virgidemiarum set the standard for how to write satire at a time when the English manifestation of the genre was not well defined, in a sense confirming Hall's bold claim that he was England's first satirist. Critics have also discussed Hall's literary and philosophical contributions to the field of religious meditation. Louis Martz (1962) has produced a landmark study of meditation poetry in which he has identified Hall's verse as having a significant influence on the later work of authors such as Donne and Richard Crashaw. Ronald J. Corthell (1978) has explored the Protestant undertones of Hall's method of meditation, particularly focusing on the relationship between Hall's Protestant ethos and his Senecan prose style. Corthell describes Hall's meditations as an example of his integrated approach to Protestant Christianity, merging strains of Puritan and Anglican thought. Indeed, the extent of Hall's devotion to stoicism has provided scholars with a topic for debate. Many early reviewers have classified Hall as a neo-stoic, who presaged the wider resurgence of stoicism in the eighteenth century. Audrey Chew (1950) was among the first scholars to question this classification, maintaining that Hall's stoicism actually reflected back to the Middle Ages. Chew has argued that while Hall's writings do emphasize the neo-stoic concern with individual reason, nevertheless he continued to underscore the importance of grace and revelation, unlike the modern school of stoicism. Geoffrey Aggeler (1990) has connected Calvinist thought with the revived interest in stoicism, as modeled in works such as Hall's Heaven Upon Earth. Aggeler concludes that the concepts of stoicism and Calvinism share similar concerns about the corruption of man and the importance of self-knowledge and suggests that stoic civic ideals—freedom from tyranny, the duties of man, and the duties of rulers—may have informed the political beliefs of seventeenth-century Calvinists. In recent years, critics have even attempted to redeem Hall's reputation tarnished by the Smectymnuus controversy. They have moved away from accepting the validity of Milton's ad hominem attacks, and instead have called attention to Hall's efforts at moderation and conciliation within the faction-riddled Anglican church.