John Keats Criticism
- Principal Works
- Introduction
-
Essays
- The Apprenticeship: The Early Sonnets
- John Keats
- Concrete and Abstract Imagery
- Egotistical and Chameleon: Byron, Shelley, and Keats
- Pyramidal Structure
- The Mature Myth: From the Odes through 'The Fall of Hyperion: A Dream'
- Keats and the Historical Method in Literary Criticism
- The Letters
- Keats and Politics
- Beauty: the Keatsian Aesthetic Ideal
- John Keats's Notion of the Poetic Imagination
- Keats's Life of Allegory: The Origins of A Style
- Keats Reading Women, Women Reading Keats
- Reading Keats's Plots
- Keats's Lipsing Sedition
- The Varieties of Musical Experience
- Imagination Transformed: The Evolution of the Female Character in Keats's Poetry
- Keats, History, and the Poets
- Further Reading