French and Indians

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Drums Along the Mohawk is a candy-colored period bit, nice in general but nothing to break your neck getting to. Life in upstate New York during the Revolution. Since John Ford directed it, it is well above the average historical picture, but not up to Mr. Ford's best. There are too many type situations and too many types—ugh-ugh-Indian, hell's-fire army widow, little feller with big jug, etc. And except for the skirmishes, the action is pretty slow.

But when the skirmishes happen there is plenty of fun. It is good to have a lot of Indians milling around in a picture shooting arrows and everything, and now that sound has been added to catch the unearthly rumpus they make, the effect is complete—the audience practically saves that fort with the arms of its seats…. There are touching things too, and instruction and blood. Perhaps if you can manage to break it only a little bit, you may wish to break your neck getting to see the film after all. (p. 277)

Otis Ferguson, "French and Indians" (originally published in The New Republic, Vol. CI, No. 1303, November 22, 1939), in The Film Criticism of Otis Ferguson, edited by Robert Wilson (© 1971 by Temple University), Temple University Press, 1971, pp. 275-77.∗

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