Mr. Skolimowski's "Barrier" is a bright, sardonic fantasy that is not only much more indigenously Polish than "Le Départ," but, like Godard's work, is also a provocative personal statement that conforms to no predigested ideologies. Reffish and irreverent, "Barrier" has the exuberance of a youthful work, executed with technical facility and control more often associated with the work of an old pro than with that of a youngster.

It is not a particularly easy film. However, its bizarre juxtaposition of commonplace and fantastic incidents to give them surreal importance is so much a part of the film's point of view that seldom do its obscurities seem annoyingly arbitrary. Quite simply, it's fun to watch.

Spiritually, "Barrier" is a continuation of "Identification Marks: None" and "Walkover," Mr. Skolimowski's tales of alienated youth in a socialist society….

["Barrier"] is a work of original cinema composition that also has certain timely political and social interest.