Jeanette Winterson Criticism
- Introduction
- Principal Works
-
Essays
- Terms of Endearment
- The Narrator that Dare Not Speak Her Name
- On the Salieri Express
- A British Original
- Doña Juana in Love
- Devil in the Flesh
- At Her Wit's End
- Review of Written on the Body
- My Enemy Has Written a Bad Book
- Beware of Shallowness
- Models for Female Loyalty: The Biblical Ruth in Jeanette Winterson's Oranges Are Not the Only Fruit
- Jeanette Winterson's Sexing the Postmodern
- Jeanette Winterson: ‘I Fear Insincerity.’
- Fairy Tales for Grown-Ups
- A Room of One's Own Books
- The True Nature of Art and the Audience It Needs
- We Want to Be Moved
- Fantastic Language: Jeanette Winterson's Recovery of the Postmodern World
- Jeanette Winterson: The Art of Fiction CL
- A Serious Case of Solipsism
- Passion & Physics
- Sexing the Jewry
- Only Connect
- In Profile: Jeanette Winterson
- Review of Gut Symmetries
- Second Death in Venice: Romanticism and the Compulsion to Repeat in Jeanette Winterson's The Passion
- The Consuming Fruit: Oranges, Demons, and Daughters
- The World and Other Places
- Postmodern Concepts of the Body in Jeanette Winterson's Written on the Body
- Fractured Bodies: Privileging the Incomplete in Jeanette Winterson's The Passion
- A Tulip and Two Bulbs
- A Fine Balancing Act on the Tightrope of Fantasy
- A Feminist Ethics of Love: Jeanette Winterson's Written on the Body
- Without Names: An Anatomy of Absence in Jeanette Winterson's Written on the Body
- Further Reading