Jean Toomer Criticism
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Toomer, Jean (Vol. 22)
- Introduction
- Jean Toomer
- 'Cane'
- The Unifying Images in Part One of Jean Toomer's 'Cane'
- Frustrated Redemption: Jean Toomer's Women in 'Cane,' Part One
- Jean Toomer's 'Blue Meridian': The Poet as Prophet of a New Order of Man
- Jean Toomer's Art of Darkness
- Forerunners in the Tradition of Black Letters
- Phantom
- Toomer, Jean (Vol. 1)
- Toomer, Jean (Vol. 13)
- Toomer, Jean (Vol. 4)
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Toomer, Jean
- Introduction
- Principal Works
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Criticism
- The Women in Cane
- Jean Toomer: Fern
- The Unifying Images in Part One of Jean Toomer's Cane
- Jean Toomer's ‘Box Seat’: The Possibility for ‘Constructive Crisises’
- Lifting the Veil: Cane
- A Tale of the Country Round: Jean Toomer's Legend, ‘Monrovia’
- Finding a Different Place: Cane (2)
- A Particular Patriotism in Jean Toomer's ‘York Beach’
- An Incomplete Circle: Repeated Images in Part Two of Cane
- Jean Toomer
- Sexuality and Liberation in Jean Toomer's ‘Withered Skin of Berries’
- Solving the Critical Conundrum of Jean Toomer's ‘Box Seat’
- The Vinculum Factor: ‘Seventh Street’ and ‘Rhobert’ in Jean Toomer's Cane
- Gothic Conventions in Jean Toomer's ‘The Eye’
- Cane: Hermeneutics of Form and Consciousness
- Jean Toomer and American Racial Discourse
- Mediating Forms: Narrating the Body in Jean Toomer's Cane
- Jean Toomer's Sparta
- Raising Cane on the Theoretical Plane: Jean Toomer's Racial Personae
- Jean Toomer's Washington and the Politics of Class: From ‘Blue Veins’ to Seventh-Street Rebels
- ‘Dorris Dances … John Dreams’: Free Indirect Discourse and Female Subjectivity in Cane
- ‘In the Land of Cotton’: Economics and Violence in Jean Toomer's Cane
- To ‘Flash White Light from Ebony’: The Problem of Modernism in Jean Toomer's Cane
- The Reluctant Witness: What Jean Toomer Remembered from Winesburg, Ohio
- Jean Toomer's Cane: Self as Montage and the Drive toward Integration
- ‘By de Singin' uh de Song’: The Search for Reciprocal Voice in Cane
- Further Reading