Jean Racine

Jean Racine Criticism

• Racine, Jean (Vol. 113)
  • Introduction
  • Principal Works
  • Criticism
    • Racine's Use of Typology in Athalie
    • Tragedy and Time in Racine's Mithridate
    • Spirit, Will, and Autonomy in Racine's Later Tragedies
    • Racine's Politics: The Subject/Subversion of Power in Britannicus
    • Bajazet à la lettre
    • Marking Time: Memorializing History in Athalie
    • Gender Reversal in Racine's Historical and Mythological Tragedies
    • Racinian Words of Power
    • Medea, Poison, and the Epistemology of Error in Phèdre
    • Les Faux Miroirs: The Good Woman/Bad Woman Dichotomy in Racine's Tragedies
    • God's Hand in History: Racine's Athalie as the End of Salvation Historiography
    • The Racinian Hero and the Classical Theory of Characterization
    • Women and Power in Britannicus and Bérénice: The Battle of Blood and Tears
    • Gender, Power and Authority in Alexandre le Grand and Athalie
    • Constructions of Identity: Mirrors of the ‘Other’ in Racine's Theatre
    • Subjective Dispersion in Iphigénie or the Unbearable Fullness of Being
    • I Want to Die, I Hate My Life—Phaedra's Malaise
    • Sovereign Love and Atomism in Racine's Bérénice
  • Further Reading
• Racine, Jean (Vol. 28)
  • Introduction
  • Principal Works
  • Criticism
    • Remarks: The Distressed Mother
    • Racine
    • Shakespeare and Racine
    • The Development of the French Drama
    • Racine
    • Racine
    • Racine
    • Racine
    • The Poetry of Racine
    • The World and the Theatre
    • Racine
    • The 'Profane' Plays, 1664-1677
    • On Phèdre as a Woman
    • Second Cycle: Racine, the Sun in Phèdre
    • Discords and Resolutions
    • Corneille and Racine: Polite Tragedy
    • The Structure of Racine's Tragedies
    • Racine
    • On Translating Phèdre
    • Approach to Racine
    • Jean Racine
    • The Dramatic Art of Racine
    • Racine and Shakespeare: A Common Language
  • Further Reading