Jean Genet Criticism
- Genet, Jean (Vol. 2)
- Genet, Jean (Vol. 1)
- Genet, Jean (Vol. 10)
- Genet, Jean (Vol. 5)
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Genet, Jean (Vol. 14)
- Jean Genet: The Difficulty of Defining and Postscript
- Servitude and Grandeur of the Chinese Opera: Jean Genet
- Lefranc As a 'Hero' of 'Haute Surveillance'
- A View from the Balconies of Baudelaire and Genet
- Can Genet Be Saved? Remarks on 'The Blacks'
- The Image and the Revolutionary Sartrean Relationships in the Work of Jean Genet
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Genet, Jean (Drama Criticism)
- Introduction
- Principal Works
- Jean Genet: ‘Une Solitude Mortelle.’
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Criticism: The Maids (1947)
- Genet's ‘Excessive’ Double: Reading Les Bonnes through Irigaray and Cixous
- A Source for Jean Genet's Les Bonnes: Jean Cocteau's ‘Anna la bonne.’
- Artaud and Genet's The Maids: Like Father, Like Son?
- The Unknown Role of Madame in Genet's Les Bonnes
- The Theory of Games and Dramatic Behavior: Uncovering Patterns of Dominance in Les Bonnes
- Criticism: The Balcony (1957)
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Criticism: Les NèGres (1959)
- Blacking Up—Three Productions by Peter Stein
- Confused? You Will Be: Genet's Les Nègres and the Art of Upsetting the Audience
- Less or More Black and White? Reassessing Genet's Les nègres in Light of Both Published Versions
- ‘What Exactly Is a Black?’: Interrogating the Reality of Race in Jean Genet's The Blacks
- Further Reading
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Genet, Jean (Twentieth-Century Literary Criticism)
- Introduction
- Principal Works
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Criticism
- Les Nègres: A Look at Genet's Excursion into Black Consciousness
- Dream, Humor and Power in Genet's Notre-Dame-des-Fleurs
- Quest for Immobility: The Identification of Being and Non-Being in Jean Genet's The Balcony
- Mothers and Stories: Female Presence/Power in Genet
- Genet, The Balcony: ‘You Must Now Go Home, Where Everything … Will Be Falser Than Here.’
- Genet's Violent, Subjective Split into the Theatre of Lacan's Three Orders
- Jules Lefranc: Jean Genet's Eternal Galley Slave and Patron Saint
- Victor Turner and Jean Genet—Rites of Passage in Les Nègres
- Genet's Shadow Theatre: Memory and Utopian Phantasy in Un captif amoureux.
- The Voided Role: On Genet
- Death, Murder and Narrative Form in Pompes funèbres
- An Erotics of Diversity: The Unsuspected Sex of Genet's Heroes
- Genet's Notre-Dame-des Fleurs: Fantasy and Sexual Identity
- A Lucid Drunkenness (Genet's Poetics of Revolution)
- Further Reading