At a Glance
Jane Eyre stresses the importance of passion in life and love: Jane and Mr. Rochester are passionate characters who contrast with the moderation and practical-mindedness of Blanche Ingram and St. John Rivers.
Rochester’s view of Jane as an independent woman contrasts with the perspective of St. John Rivers, Blanche, and Lady Ingram, who treat Jane as an instrument.
Brontë urges her readers to look beyond convention and doctrine when pursuing God and morality.
Atonement is a theme in Mr. Rochester’s development—the fire that burns down Thornfield and leaves him blind and mutilated symbolically purges his sins and allows him to marry Jane.
Throughout the novel, Jane searches for a family and a home and ultimately finds both after marrying Mr. Rochester.
Love and Passion
One of the secrets to the success of Jane Eyre, and the source of its strength in spite of numerous flaws, lies in the way that it touches on a number of important themes while telling a compelling story. Indeed, so lively and dramatic is the story that the reader might not be fully conscious of all the thematic strands that weave through this work. Critics have argued about what comprises the main theme of Jane Eyre. There can be little doubt, however, that love and passion together form a major thematic element of the novel.
On its most simple and obvious level, Jane Eyre is a love story. The love between the orphaned and initially impoverished Jane and the wealthy but tormented Rochester is at its heart. The obstacles to the fulfillment of this love provide the main dramatic conflict in the work. However, the novel explores other types of love as well. Helen Burns, for example, exemplifies the selfless love of a friend. We also see some of the consequences of the absence of love, as in the relationship between Jane and Mrs. Reed, in the selfish relations among the Reed children, and in the mocking marriage of Rochester and Bertha. Jane realizes that the absence of love between herself and St. John Rivers would make their marriage a living death, too.
Throughout the work, Bronte suggests that a life that is not lived passionately is not lived fully. Jane undoubtedly is the central passionate character; her nature is shot through with passion. Early on, she refuses to live by Mrs. Reed's rules, which would restrict all passion. Her defiance of Mrs. Reed is her first, but by no means her last, passionate act. Her passion for Rochester is all consuming. Significantly, however, it is not the only force that governs her life. She leaves Rochester because her moral reason tells her that it would be wrong to live with him as his mistress. "Laws and principles are not for the time when there is no temptation," she tells Rochester; "they are for such moments as this, when body and soul rise against their rigor. . . ."
Blanche Ingram feels no passion for Rochester; she is only attracted to the landowner because of his wealth and social position. St. John Rivers is a more intelligent character than Blanche, but like her he also lacks the necessary passion that would allow him to live fully. His marriage proposal to Jane has no passion behind it; rather, he regards marriage as a business arrangement, with Jane as his potential junior partner in his missionary work. His lack of passion contrasts sharply with Rochester, who positively seethes with passion. His injury in the fire at Thornfield may be seen as a chastisement for his past passionate indiscretions and as a symbolic taming of his passionate excesses.
Jane Eyre is not only a love story: It is also a plea for the recognition of the individual's worth. Throughout the book, Jane demands to be treated as an independent human being, a person with her own needs and talents. Early on, she is unjustly punished precisely for being herself—first by Mrs. Reed and John Reed, and subsequently by Mr. Brocklehurst. Her defiance of Mrs. Reed is her first active declaration of independence in the novel, but not her...
(The entire section is 1,976 words.)