James Thurber

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No Nonsense

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In the following essay, Julian Moynihan explores how James Thurber's work reflects his personal confusion and insecurities, particularly through themes of gender dynamics, language distortion, and modern chaos, portraying Thurber as an artist whose comedic whimsy addresses profound global issues with a unique heroism.

In a tribute to Mary Thurber written after her death in 1955 and reprinted in Alarms and Diversions Thurber testified to the life-long occupation of his mind by a sense of confusion apparently brought on by his formidable mother's addiction to practical jokes involving elaborate disguises and sudden shifts of identity. Images of this confusion—Mitty's autism, the 'chronic word garblings' of lady conversationalists in the party pieces, the famous drawings of the seal in the bedroom, the House-Woman and the enormous inscrutable rabbit blocking life's path to the Goal—proliferate in his work, suggesting that he wrote and drew with a firm professional hand to exorcize a deep uncertainty which was often dangerously close to sheer panic. And yet, because he was an authentic artist, Thurber's invention has given a shape and face to the unconfessed dreams and angst of all but the most robust men….

Thurber's attitude toward his favourite subjects was always complicated and sometimes ambiguous. In celebrating the modern sex war he regularly portrayed Woman as just a little bit taller, tougher, surer and faster on the draw than her opponent, and he agreed with 'those wiser men who spoke of the female with proper respect, and even fear.' At the same time he called himself a feminist and backed the feminine conspiracy on the cogent grounds that women sought to seize power in order to prevent the world from being blown to fragments. Another of his obsessions was language. An inveterate wordgamesman and dictionary reader he brooded and wrote a good deal about the 'disfigurations of sense and meaning' which accompany Cold War propaganda tactics and about the 'carcinomenclature of our time' fostered by the adulteration of common speech by professional and technological jargons…. Thurber's whimsy is often more relevant to issues in the great world than first appears….

As Yeats once remarked, the peculiar heroism of modern artists is chiefly manifested in their unflinching attentiveness to the world's and the self's chaos as revealed to them by the contents of their own minds. Thurber had a good measure of this heroism….

Julian Moynihan, "No Nonsense," in New Statesman (© 1962 The Statesman & Nation Publishing Co. Ltd.), December 14, 1962, p. 872.

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James Thurber: Artist in Humor

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