The world of most of Farrell's fiction is not a pretty or happy one, since, as he has said, much of his writing has been concerned with portraying "conditions which brutalize human beings and produce spiritual and material poverty." (p. 267)

It must be admitted that a number of Farrell's stories, especially his earlier ones, show the influence of other writers. Farrell has frequently treated everyday characters and the emptiness, vulgarity, or sordidness of their lives in the manner of Chekhov and Joyce; he has written some Sherwood Anderson—like studies of repression and frustration; and he has written still other stories which are reminiscent in various ways of Hemingway, Lardner, and Dreiser. It must also be admitted that Farrell's work in the short story is very uneven, that at times it is overly doctrinaire, and that it is sometimes undistinguished in form and style. But though one does not find the artistry of a Chekhov or Joyce in Farrell, one does find intensity and moral seriousness and, in at least a few of the stories, an ability to powerfully affect the reader. (pp. 267-68)