James Dickey Biography
James Dickey, though he published an astounding amount of poetry throughout his lengthy career, is most closely associated with the line “Squeal like a pig!” Ironically, it is a line he never wrote. Its fame comes from the harrowing and iconic rape scene in the film version of Dickey’s first novel, Deliverance. The film was critically lauded and received numerous Academy Award nominations, and the novel itself was in many ways emblematic of Dickey’s other works. In all his writing, Dickey focused on the poetic and the metaphysical, with a particular emphasis on nature. In 1987, he published his second novel, Alnilam, a large, challenging book that never managed to achieve the success of Deliverance.
Facts and Trivia
- As a young man, Dickey served in both the U.S. Army and the U.S. Air Force during World War II and the Korean War, respectively.
- For two years in the mid-1960s, Dickey was the poetry consultant to the National Library of Congress.
- Dickey received a National Book Award for his 1966 poetry collection Buckdancer’s Choice.
- In 1973, he was nominated for an Academy Award for adapting his first novel, Deliverance, to the screen.
- Dickey was the poet-in-residence at the University of South Carolina and taught there for nearly thirty years, right up until his death in 1997.
Biography
James Lafayette Dickey, an influential American poet and novelist, was born on February 2, 1923, in Atlanta, Georgia. His life was marked by both personal tragedy and professional achievement. Dickey's literary journey intertwines themes of war, nature, and human struggle, leaving a lasting impact on American literature.
Early Life and Education
Born to Eugene and Maibelle Swift Dickey, James was their second son, after their first, Eugene, tragically passed away from spinal meningitis at six years old. This loss profoundly influenced Dickey and later became a central theme in his poem "The String," where he grapples with feelings of guilt, encapsulated in the recurring line "Dead before I was born." Growing up, Dickey excelled in athletics, particularly football, during his time at North Fulton High School. Upon his graduation in 1942, he attended Clemson Agricultural College in South Carolina, pursuing his passion for sports.
Military Service and Literary Awakening
However, Dickey's time at Clemson was short-lived as he left after one semester to join the Army Air Force during World War II. Between 1942 and 1946, he flew approximately a hundred missions as a pilot with the 418th Night Fighters in the South Pacific. These experiences deeply influenced his poetry, as seen in works like “The Firebombing” from his collections Helmets (1964) and Buckdancer’s Choice (1965), which explore the moral complexities of war. During his military service, Dickey discovered poetry, often spending time in the library waiting for a librarian he was dating, which further fueled his literary interests.
Academic Pursuits and Early Career
After completing his military service, Dickey transferred to Vanderbilt University in 1946, where he shifted his athletic focus from football to track, setting a state record in the 120-yard high hurdles. Vanderbilt was a hub for several literary movements, such as the Fugitive Poets, Agrarianism, and New Criticism. Although Dickey shared the skepticism of industrialization that characterized these groups, he maintained an independent stance, refusing to be pigeonholed into any particular literary school. In 1949, he earned his A.B. degree, followed by an M.A. in 1950, with a thesis on Herman Melville’s poetry.
Personal Life and Teaching
In 1948, Dickey married Maxine Syerson, with whom he had two sons, Christopher Swift and Kevin Webster. After Maxine's death in 1976, he married Deborah Dodson, and they had a daughter, Bronwen, in 1981. Dickey briefly taught at Rice Institute in Houston, Texas, but his career was interrupted by a recall to Air Force service during the Korean War. Following his discharge in 1952, he returned to Rice, dedicating himself to poetry writing. A fellowship from Sewanee Review in 1954 allowed him to spend a year in Europe, after which he joined the University of Florida faculty. However, his academic aspirations were thwarted by overwhelming composition classes and a controversial reading of his poem "The Father’s Body." Refusing to apologize, he resigned from his teaching position.
Transition to Full-Time Writing
Dickey continued to pursue poetry while residing in New York City, working in advertising with McCann-Erickson. In 1958, he returned to Atlanta, working with Liller Neal and later Burke Dowling Adams, where he rose to creative director and vice president. His poetic output during this time led to the publication of collections like Into the Stone, and Other Poems (1960) and Drowning with Others (1962). His growing reputation was affirmed by awards such as the Union League Civic and Arts Foundation Prize and a Guggenheim Fellowship, which enabled him to leave advertising and dedicate himself fully to poetry.
Critical Success and Later Career
The success of Helmets and Buckdancer’s Choice solidified Dickey's status as a prominent American poet. Buckdancer’s...
(This entire section contains 798 words.)
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Choice won the National Book Award, among other accolades, leading to positions such as poet-in-residence at the University of Wisconsin and consultant in poetry at the Library of Congress. In 1969, he became Carolina Professor of English and writer-in-residence at the University of South Carolina, a tenure that lasted until his death.
Novels and Critical Writings
In addition to poetry, Dickey found success in prose with his acclaimed novel Deliverance (1970), which was adapted into a film where he contributed the screenplay. Despite the success of Deliverance, his second novel, Alnilam (1987), received a lukewarm reception after years of effort. Dickey also ventured into literary criticism with Babel to Byzantium: Poets and Poetry Now (1968), where he openly critiqued established poets while praising others like Theodore Roethke and D. H. Lawrence.
Legacy and Final Years
Throughout the 1970s and 1980s, Dickey expanded his literary repertoire, publishing works that included the children's book Tucky the Hunter (1978) and the poetry volume The Strength of Fields (1979). Despite the mixed reception of works like Alnilam and the poetic collection Puella (1982), he remained a vital voice in American letters. Dickey continued to publish into the early 1990s before passing away in 1997, leaving behind a diverse and influential body of work that continues to resonate within the literary community.
Criticism by James Dickey
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Different Voices, Different Tones
Derek Walcott Criticism
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Of Human Concern
Mary Oliver Criticism
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Robert Penn Warren's Courage
Robert Penn Warren Criticism
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In the Presence of Anthologies
Robert Penn Warren Criticism
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I. A. Richards
I. A. Richards Criticism
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A review of The Beginning and the End and Other Poems
Robinson Jeffers Criticism
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Philip Booth
Philip Booth Criticism
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Neither Maddeningly Genteel Nor Bawling
Philip Booth Criticism
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Kenneth Patchen
Kenneth Patchen Criticism
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Tactics of Shock, Discoveries of Innocence
Frederick Seidel Criticism
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Compassionate Classicist
John Hall Wheelock Criticism
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James Kirkup
James Kirkup Criticism
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The Suspect in Poetry or Everyman As Detective
Ronald G(ilmour) Everson Criticism