Tales of the Tribes
Occasionally, not often enough, in the world of young people's books—or anyone's—there appears a timeless work which defies delimiting of audience. Such a book is Anpao, a synthesis of native American folklore….
[Highwater] has woven across the main threads of his legendary hero's quest a significant weft of American Indian mythology, just as Homer in his famous epic of a Greek's journey homeward from Troy introduced tales of supernatural encounters which extended the dangers of that voyage.
None of these tales, says Highwater, is of his own invention, although the words are new, his own. Most exist in many versions, but in his meticulous bibliography of sources he cites at least one book in which each tale can be read in its oral form. Some of these are ancient; some emerged out of experiences after the invasion by white men….
[Not] only the uniqueness and significance of the content make this an enduring book, but also the author's gift for using the poetic, dignified language required of tellers of great epics.
Virginia Haviland, "Tales of the Tribes," in Book World—The Washington Post (© 1978, The Washington Post), February 12, 1978, p. G4.
["Dance: The Ritual of Experience"] is a most interesting attempt to analyze dance from a fresh viewpoint, to tear away the superstructure built by years of Western dance conventions and get down to basics. Some may find the idea controversial, but clearly Highwater has important things to say and says them well. (p. 63)
Publishers Weekly (reprinted from the March 20, 1978, issue of Publishers Weekly by permission of the critic, published by R. R. Bowker Company, a Xerox company; copyright © 1978 by Xerox Corporation), March 20, 1978.
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