Matthew Arnold’s “Isolation. To Marguerite” is—as its title suggests—a poem about a lover’s keen awareness of human isolation. Each of the work’s seven stanzas intensifies both the lover’s feelings of separation and his increasing devotion to his beloved. Indeed, in order to experience his love more deeply, the lover commands his heart to “keep the world away.” As he begins to feel that he has stood the test of loyalty to his love, he declares (in the first stanza) his belief that his beloved has “likewise” grown in her love for him. Love is dramatized at the beginning of the poem as a daily discipline, a rededication of the heart to the beloved that demands a single focus undistracted by the world at large. He strives for a “more constant” love that will create a “home” exclusively for Marguerite.
The strong sense of a bond between the lovers is challenged in the second stanza, which develops an image of the heart as a great sea ebbing and swelling with feeling. Fixated on his own feelings, the lover declares that the “heart can bind itself alone.” His fear (a word first mentioned in the first stanza) is that the heart is “self-swayed”; that is, the more acutely he feels his love, the more isolated he becomes. He is prone to misgivings that turn to panic: “Thou lov’st no more;—Farewell! Farewell!”
In the third stanza, the lover’s feelings of isolation concentrate on an image of the “lonely...
(The entire section is 539 words.)