Isak Dinesen Criticism
- Dinesen, Isak (Pseudonym of Karen Blixen)
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Dinesen, Isak (Vol. 95)
- Introduction
- Principal Works
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Criticism
- Isak Dinesen's Fine Record of Life on an African Farm
- Isak Dinesen, Søren Kierkegaard, and the Present Age
- In Memoriam Karen Blixen: Some Aspects of Her Attitude of Life
- Isak Dinesen: An Appreciation
- The Bow of the Lord: Isak Dinesen's 'Portrait of the Artist'
- A Saga of Africa
- Witch as Quintessential Woman: A Context for Isak Dinesen's Fiction
- Karen Blixen's 'Carnival'
- The Fantastic in Karen Blixen's Osceola Production
- Seven Gothic Tales: The Divine Swank of Isak Dinesen
- The Other Woman and the Racial Politics of Gender: Isak Dinesen and Beryl Markham in Kenya
- Cultural Multiplicity in Two Modern Autobiographies: Friedländer's When Memory Comes and Dinesen's Out of Africa
- Further Reading
- Dinesen, Isak (Vol. 29)
-
Dinesen, Isak
- Introduction
- Principal Works
-
Criticism
- Isak Dinesen and Dorothy Canfield: the Importance of a Helping Hand
- The Dream World of Isak Dinesen
- Misogyny
- Writing (in) Exile: Isak Dinesen and the Poetics of Displacement
- Babette Can Cook: Life and Art in Three Stories by Isak Dinesen
- Dinesen's ‘Ring’: Matrimonial Götterdämmerung.
- The Vertigo of Staging: Authority and Narration in Isak Dinesen's ‘The Roads Round Pisa’
- Both Sacred and Secretly Gay: Isak Dinesen's ‘The Blank Page’
- Isak Dinesen's ‘Sorrow-Acre’ and the Ethics of Storytelling
- Wild Nights and Buried Letters: The Gothic ‘Unconscious’ of Feminist Criticism
- Isak Dinesen and the Fiction of Gothic Gravity
- L'Heure bleue: Isak Dinesen and the Ascendant Imagination
- Bride's Blood and God's Laugh: Reading the Evidence of Desire on ‘The Blank Page’ of the Torah
- Self-Invention in Isak Dinesen's ‘The Deluge at Norderney’
- Karen Blixen's Works
- Further Reading