The common image of science fiction is rocket ships and atom bombs. How does Isaac Asimov’s fiction fit that image?
How do Asimov’s robots differ from the robots usually encountered in works of science fiction?
How could one improve upon Asimov’s three laws of robotics? Would they work? What if they applied to humans?
The Foundation stories have been compared to the fall of the Roman empire. What kind of resemblances are obvious? How does Asimov use them?
Is psychohistory possible? Is it desirable? What does it predict? How does Asimov prevent it from limiting human initiative?
In “Nightfall,” the Lagashians and even the scientists go mad. Is Asimov’s outcome believable? Would humans behave the same way? What comparable human reversal of experience would drive humans mad?
Asimov makes human space exploration and colonization desirable, even imperative, in The Robots of Dawn. Why is it important to Asimov? Should it be important to humanity?
Isaac Asimov was well known as a polymath and workaholic. His principal works are in the fields of science popularization and science fiction, where both his short stories and novels have been influential, but he also wrote extensively in history and literature, composed books for children and adolescents as well as mystery and detective books for adults, and published books in such areas as mythology, humor, and biblical studies.
Capitalizing on what he called his “lucky break in the genetic sweepstakes,” Isaac Asimov used his exceptionally lucid mind and vivid imagination to explain the past and possible future developments of science and technology through his fiction and nonfiction to a large audience of nonscientists. He was a successful communicator of ideas not only in science but also in a wide variety of literary, historical, even theological topics, but it is as a science-fiction writer that he will be best remembered. His ability to generate and extrapolate ideas on the development of science and technology and his creative visions of the human consequences of these developments helped found “social science fiction,” which made this formerly pulp genre acceptable to many literary critics.
Asimov was honored for his work in both science fiction and science popularization. The Science-Fiction Writers of America voted his “Nightfall” the best science-fiction story of all time, and his Foundation Trilogy won a Hugo Award in 1966 as “The Best All-Time Series.” His novel The Gods Themselves, published in 1972, won both the Hugo and Nebula awards, and his Foundation’s Edge won a Hugo Award as the best novel in 1982. As a science popularizer, he received the James T. Grady Award of the American Chemical Society in 1965 and the American Association for the Advancement of Science-Westinghouse Science Writing Award in 1967.
Isaac Asimov (AZ-eh-mof) was an unusually prolific author with more than five hundred published books in his bibliography, including fiction, autobiographies, edited anthologies of fiction, and nonfiction works ranging in subject from the Bible to science, history, and humor; only his most famous major novels are listed above. His series of juvenile science-fiction novels about the character Lucky Starr first appeared under the pseudonym Paul French. Asimov also regularly wrote articles on science and literature, and he lent his name to a science-fiction magazine for which he wrote a monthly article. The magazine has continued in publication since Asimov’s death.
Asimov wrote three autobiographies: Before the Golden Age (1974); In Memory Yet Green (1979), which covers his life from 1920 to 1954; and In Joy Still Felt (1980), which continues from 1954 to 1978. In I. Asimov: A Memoir (1994), he...
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- Critical Essays