With the publication of Ironweed in 1983, Kennedy suddenly found himself at the forefront of contemporary American fiction. This third novel of Kennedy’s Albany cycle received wide critical acclaim, winning both the National Book Critics Circle Award (1983-1984) and the Pulitzer Prize (1984). Ironically, Ironweed was initially rejected by thirteen publishing houses. Because of the commercial failings of Legs and Billy Phelan’s Greatest Game, the editors at Viking were reluctant to undertake the publication of another Kennedy novel. A scolding letter from novelist Bellow, however, Kennedy’s first fiction writing teacher, changed their minds and gave Viking the idea of reissuing Kennedy’s two previous novels and marketing the trilogy as what Bellow called the Albany cycle. In his letter, Bellow reprimanded the editors at Viking, saying, “That the author of Billy Phelan should have a manuscript kicking around looking for a publisher is disgraceful.”
In Ironweed, Kennedy continues his story of the fictional Phelan family and focuses his narrative on Billy’s father, Francis. Among other ties to the previous Albany novels is the brief appearance of Marcus Gorman, the narrator of Legs; he serves as Francis’s lawyer in Ironweed. In Kennedy’s Albany cycle, the cast of characters usually overlaps slightly from one book to another. While the reappearances and intertwining plots are interesting to note, each novel in the Albany cycle is self-contained and ultimately stands on its own, independent of its predecessors.
In both Legs and Billy Phelan’s Greatest Game, the narrators themselves develop into main characters and supply important secondary plots. lronweed, however, is told from a third-person instead of a first-person point of view, and the character of narrator is thus eliminated. Ironweed is the story of one man’s physical and emotional struggle...
(The entire section is 815 words.)