Style and Technique

(Comprehensive Guide to Short Stories, Critical Edition)

Anderson’s use of the first-person narrator is crucial in creating the subtlety of “I’m a Fool” and illustrates the instinctive quality of Anderson’s best work. A third-person narrator, for example, not only would have robbed the character of his emotional intensity but also would have revealed the fragility of a commonplace plot. Instead, the narrator’s voice gives the almost banal situation an earnestness, an honesty, that is both powerful and moving.

Though the use of the first-person narrator was certainly not new, Anderson’s adaptation of it for this kind of story is significant. Mark Twain had already created the character of Huck Finn in 1884 by allowing Huck himself to record his adventures in his Missouri vernacular. There is, in fact, even an echo of Adventures of Huckleberry Finn in “I’m a Fool” in the relationship between the narrator and the black man, Burt.

However, the relationship is suggestive more of the narrator’s frustration than of his freedom and moral superiority, as is the case with Huck’s relationship with Jim. Besides, Huck’s narration is often of stirring action, satiric comedy, and shrewd character portrayal. By contrast, the narrator of “I’m a Fool” speaks more about his feelings; he records in his ungrammatical English not the external action, but the internal, the private, the quiet experience of his emotions.

The indebtedness of “I’m a Fool” to Twain’s...

(The entire section is 525 words.)