Paul Fussell’s The Great War and Modern Memory (1975) received the National Book Award, the National Book Critics Circle Award, and was named by the Modern Library as one of the twentieth century’s 100 Best Non-Fiction Books. It analyzes the effects of World War I on several major writers, including Graves, Siegfried Sassoon, and Wilfred Owen.

Known as one of the bitterest autobiographies ever written, Graves’s Good-Bye to All That (1929) is a scathing critique of World War I and the military and political leaders who led Great Britain during the war.

Wild Olives: Life in Majorca with Robert Graves (1995), by William Graves, and A Woman Unknown: Voices from a Spanish Life (2000), by Lucia Graves, offer glimpses into the writer’s life from the perspectives of two of his children.

In 1937, shortly following her husband’s success with I, Claudius, Laura Riding published A Trojan Ending, her attempt at classical historical fiction. Graves supplied Riding with the necessary historical material that formed the basis of the book.

In Broken Images: Selected Letters of Robert Graves, 1914–1946 (1982) and Between Moon and Moon: Selected Letters of Robert Graves 1946–1972 (1984), both edited by Paul O’Prey, are the first collections of Grave’s abundant correspondence to have been published.