Howards End Themes
The major theme of Howards End is connection—connection between the private and the public life, connection between individuals—and how difficult it is to create and sustain these connections. Howards End focuses mainly on two families: the Schlegels, who represent intellectuahsm, imagination, and idealism—the inner life of the mind—and the Wilcoxes, who represent English practicality, expansionism, commercialism, and the external world of business and politics. For the Schlegels, personal relationships precede public ones and the individual is more important than any organization. For the Wilcoxes, the reverse is true; social formalities and the rules of the business world reign supreme.
Through the marriage of Margaret Schlegel and Henry Wilcox, these two very different worlds are connected. Margaret, unlike her wildly idealistic sister Helen, moves toward an understanding of the Wilcoxes. Helen's initial encounter with the Wilcoxes proves disastrous, but Margaret begins to realize that many of the things she values, such as art and culture, would not exist without the economic and social stability created by people such as the Wilcoxes. "More and more," she says, "do I refuse to draw my income and sneer at those who guarantee it."
Margaret and Henry's marriage nearly comes to an end, however, when Henry is unable to make an important connection between his sexual transgression with Jacky Bast and Helen's liaison with Leonard Bast. Margaret and Helen want to spend the night together at Howards End before Helen returns to Germany to have her baby. But the hypocritical Henry cannot tolerate the presence of a "fallen woman" on his property, and refuses to allow Margaret and Helen to remain there for the night. As the critic Malcolm Bradbury has written, Margaret insists on the "primacy of the standard of personal sympathy" while Henry emphasizes "the standard of social propriety." Margaret and Helen defy Henry by staying the night at Howards End, where they reestablish their relationship. By the novel's end, events force Henry to reconsider his values. He is reconciled to Helen, and along with Margaret and Helen's illegitimate son, they live together at Howards End under Margaret's guardianship.
Another important theme in Howards End concerns struggle and conflict within the middle class. The aristocracy and the very poor do not make an appearance in this novel; the novelist states that "[w]e are not concerned with the very poor," but instead with the "gentlefolk, or with those who are obliged to pretend that they are gentlefolk." The three families in Howards End each represent different levels of the middle class. The Schlegels occupy the middle position, somewhere between the Basts, who exist at the lower fringes of the middle class, and the Wilcoxes, who belong to the upper-middle class. Leonard Bast, the clerk, lives near the "abyss" of poverty, while the Schlegels live comfortably on family money, and Henry Wilcox, the wealthy business man who grows steadily richer, has money for "motors" and country houses.
Leonard Bast is somewhat obsessed by class differences, and tries to improve himself by becoming "cultured." He reads books such as Ruskin's Stones of Venice and attends concerts. He meets the Schlegel sisters at a concert performance of Beethoven's Fifth Symphony, and becomes interested in them mainly because they seem to take his intellectual aspirations seriously. The Schlegels are fascinated by Leonard and his situation, but Leonard's connection to the Schlegels ultimately proves fatal. When Margaret and Helen hear from Mr. Wilcox that the company Leonard works for is about to go bankrupt, they advise him to find another position. The information proves to be unsound, but Leonard follows it, taking and then losing another position. As a result, he and his wife Jacky are left nearly penniless. In the scene where Leonard, Jacky, and Helen storm into Evie's opulent wedding, Forster illustrates the...
(The entire section is 1,038 words.)