Howards End Criticism
- Introduction
- Principal Works
-
Essays
- Family Reunions: E. M. Forster
- Forster's Fifth Symphony: Another Aspect of Howards End.
- Howards End
- Liberalism and Symbolism in Howards End
- The Narrow, Rich Staircase in Forster's Howards End.
- Ambiguous Connections: Leonard Bast's Role in Howards End
- Howards End: Goblins and Rainbows
- Anyone of Everybody: Net Books and Howards End
- Howards End: Private Worlds and Public Languages
- ‘Islands of Money’: Rentier Culture in E. M. Forster's Howards End
- Safe as Houses: Forster as Cambridge Anthropologist
- Howards End Revisited
- E. M. Forster's Prophetic Vision of the Modern Family in Howards End
- E. M. Forster and the Supersession of Plot by Leitmotif: A Reading of Aspects of the Novel and Howards End
- Private Garden, Public Swamps: Howards End and the Revaluation of Liberal Guilt
- Gesturing Towards an Open Space: Gender, Form, and Language in Howards End
- ‘Only Connecting’ with the Family: Class, Culture, and Narrative Therapy in E. M. Forster's Howards End.
- ‘Whose Books Once Influenced Mine’: The Relationship between E. M. Forster's Howards End and Virginia Woolf's The Waves
- Howards End and the Dislocation of Narrative
- Empires of Objects: Accumulation and Entropy in E. M. Forster's Howards End
- Further Reading