The House of Mirth Criticism
- Introduction
- Principal Works
-
Essays
- The House of Mirth
- Edith Wharton and The House of Mirth: The Novelist Writes for the Theater
- Kept Women in The House of Mirth
- Edith Wharton's House Divided
- The Death of the Lady (Novelist): Wharton's The House of Mirth
- Debasing Exchange: Edith Wharton's The House of Mirth
- Reflecting Vision in The House of Mirth
- The Name of the Lily: Edith Wharton's Feminism(s)
- Edith Wharton's Challenge to Feminist Criticism
- Language, Gender, and Society in The House of Mirth
- Contractual Law, Relational Whisper: A Reading of Edith Wharton's The House of Mirth
- Rosedale and Anti-Semitism in the House of Mirth
- Female Doubling: The Other Lily Bart in Edith Wharton's The House of Mirth
- The Naturalism of Edith Wharton's The House of Mirth
- Interiors and the Interior Life in Edith Wharton's The House of Mirth
- On The House of Mirth
- Building The House of Mirth
- From Tea to Chloral: Raising the Dead Lily Bart
- Disowning ‘Personality’: Privacy and Subjectivity in The House of Mirth
- The Art and Architecture of the Self: Designing the ‘I’-Witness in Edith Wharton's The House of Mirth
- The Conspicuous Wasting of Lily Bart
- Further Reading