The House of Life Themes
Dante Gabriel Rossetti’s The House of Life reflects a wide variety of interrelated themes. The enigmatic title of this collection of sonnets contains its thematic nucleus. Supposedly, Rossetti conceived of his work as a type of a Zodiac with ever-changing “houses.” A gallery of images and ideas unfolds before us as we read his magnum opus and see these ideas pass through the “house of life.” Beauty, Love, and Time are captured in the “house of life.” As this is happening, we also see the author progress from a sensual to a spiritual perception of Beauty, from one love to another, and from a struggle with the fleeting nature of time to a final reconciliation with it.
The Metamorphoses of Beauty and Love
The order of the sonnets in the collection does not necessarily reflect the chronological order of their composition, yet through the sonnets, we see a certain progression in Rossetti’s perception of Beauty. The first part of the collection reveals that the speaker’s soul is overflowing with love and passion. One notable example is in Sonnet XXI, Love-Sweetness, in its celebration of the physical beauty of his beloved:
Sweet dimness of her loosened hair’s downfall
About thy face; her sweet hands round thy head
In gracious fostering union garlanded;
Her tremulous smiles; her glances’ sweet recall
Of love; her murmuring sighs memorial;
Her mouth’s culled sweetness by thy kisses shed
On cheeks and neck and eyelids, and so led
Back to her mouth, which answers there for all.
The recurring images of the beloved’s bodily perfections gradually give way to a more sublime vision in which the poet compares his loved one with deities such as Juno, Pallas, and Venus:
Could Juno’s self more sovereign presence wear
Than thou, ’mid other ladies throned in grace? –
Or Pallas, when thou bend’st with soul-stilled face
O’er poet’s page gold-shadowed in thy hair?
Dost thou than Venus seem less heavenly fair
When o’er the sea of love’s tumultuous trance
Hovers thy smile, and mingles with thy glance
That sweet voice like the last wave murmuring there?
The second part of the collection bears an imprint of the author’s meditations on more abstract and metaphysical notions, such as the meaning of art, the artist’s calling, and eternity. The metamorphoses of Beauty in the sonnets correlates with the change in the poet’s life. He has lost his beloved (his wife) but has now found a new love. Tension exists between the dear and poignant memories of his former love and this new, present feeling. At the same time, the poet is concerned that his new love, too, may fall victim to impending death. Sonnet XXXVII reflects the core of the conflict between the old love and the new:
When that dead face, bowered in the furthest years,
Which once was all the life years held for thee,
Can now scarce bide the tides of memory
Cast on thy soul a little spray of tears,—
How canst thou gaze into these eyes of hers
Whom now thy heart delights in, and not see
Within each orb Love’s philtred euphrasy
(The entire section is 785 words.)