Homesick emerged as a pivotal work in the literary landscape of autobiographies for young readers. Recognized by its accolades, including the 1983 American Book Award and the Newbery Medal Honor, it marked a significant point in Jean Fritz’s writing journey. The book demonstrated that crafting narratives for juveniles need not shy away from the introspective depth typically reserved for adult autobiographies. Critics and fellow writers praised the authentic and endearing portrayal of young Jean Guttery, appreciating the vivid exploration of her inner world. As a result, Homesick frequently appears in children’s literature curricula, especially within social studies or biography units, although it is often noted as a fictionalized account.

The narrative continues with China Homecoming (1985), the sequel to Homesick, which expands upon the themes of authorial intent and creative process introduced in its predecessor. Fritz candidly shares that the impetus for Homesick was her father's passing, her last tangible connection to her childhood in China. Driven by a sense of urgency to preserve her childhood memories, she penned Homesick before they faded. This act of memory preservation naturally led to the creation of China Homecoming, where Fritz documents her return to China after many years, revisiting the landscapes and experiences of her youth.

In another venture into non-fiction, Fritz authored China’s Long March: Six Thousand Miles of Danger (1988), which delves into China's revolutionary history. Though it continues her exploration of Chinese themes, this work, along with China Homecoming, did not capture the same widespread acclaim as Homesick. The resonance of Homesick stems from its honest representation of the emotions and impulses characteristic of childhood, a quality that deeply connects with its readers and sets it apart in Fritz's oeuvre.