What Do I Read Next?
Two of Pinter's early works provide context for The Homecoming: The Birthday Party (1958), Pinter's first full-length play, showcases all the signature elements of his style and themes; and The Caretaker, which premiered on April 17, 1960, at the small Arts Theatre Club in London. This play delves into loneliness and power dynamics among three men, focusing on a tramp who is offered shelter by a mentally impaired man. The Caretaker was Pinter's first significant commercial success.
Pinter's Old Times (1970) examines the themes of time and memory, which Pinter views as fluid and uncertain. It also further explores a man's inability to fully understand or possess a woman. This play marks a departure from the more realistic approach of The Homecoming.
David Mamet's Glengarry Glen Ross demonstrates Pinter's influence, particularly in the use of language, on the younger American playwright. The play was first staged in 1983 at the Royal National Theatre, London, at Pinter's suggestion.
Samuel Beckett's Endgame was first performed in 1957 in French at the Royal Court Theatre, London. This play shares several qualities and themes with The Homecoming: mutual dependence of characters, animosity, a confined setting, and the use of minimalist language and lack of specific background information. Beckett is a recognized influence on Pinter.
Sexual Power by Carolyn Johnston, published by Alabama University Press in 1992, offers a feminist perspective on the American family from the seventeenth century to the present.
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