The Hind and the Panther

by John Dryden

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Fear of Radical Individualism and Sectarianism

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John Dryden, one of England's preeminent poets, spent his early years witnessing the upheaval and destruction wrought by a religiously motivated civil war. This turbulent period deeply influenced his literary works, prompting an exploration of themes centered around the perils associated with radical individualism and sectarianism. His notable poems such as Absalom and Achitophel (1681-1682), Mac Flecknoe (1682), and Religio Laici (1682) are all reflections of his quest for an enduring authority and tradition capable of standing against chaos and anarchy. Dryden's epic poem, The Hind and the Panther, stands as his most comprehensive exploration of these concerns.

Throughout the poem, Dryden’s aversion to radical individualism, which he believed fostered extreme sectarianism, is palpable. In the opening part, he satirizes sectarian animals, notably the wolf, the fox, the hare, and the boar, each serving as caricatures that highlight the dangers he associated with "private reason." For Dryden, such sects are invariably marred by pride, arrogance, confusion, and a rebellious spirit, traits he perceived as politically and religiously hazardous.

Dryden was particularly troubled by the sectarian reliance on reason to navigate religious matters. He posited that religion inherently concerns itself with realms that transcend human understanding and rationality. While acknowledging that reason holds value in appropriate contexts, Dryden warned of its limitations within the divine sphere. He poignantly captured this view with the lines, "Let Reason then at her own quarry fly,/ But how can finite grasp Infinity?" These words underscore his belief that faith and spirituality exist beyond the reach of human logic and reason, highlighting the pitfalls of attempting to apply finite reasoning to infinite divinity.

Critique of the Anglican Church

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In John Dryden's The Hind and the Panther, particularly in the second section, the Anglican Church emerges as a focal point of critique. Dryden acknowledges that among the non-Catholic Christian denominations, the Anglican Church is "least deform’d, because reform’d the least." This faint praise, however, leads into a deeper analysis of its inherent flaws. Dryden, with meticulous argumentative and poetic adeptness, identifies several critical issues plaguing the Anglican Church.

Firstly, he questions the church's lack of apostolic authority, arguing that its foundation is more a byproduct of England's tumultuous political history rather than a continuation of pure religious tradition. This historical backdrop, according to Dryden, leads to a faith that is inconsistent in its core doctrines. Such instability, he suggests, arises from the church's reliance on personal interpretation of the Bible, a practice he believes invites anarchy and discord rather than spiritual enlightenment or unity.

As the poem progresses into its third segment, Dryden expands his critique to include the Anglican Church's readiness to forge dubious political alliances. He paints a picture of a church willing to compromise its principles for political gain, an action he views as ultimately destructive. Through his skilled use of poetry and debate, Dryden crafts a powerful indictment of the Anglican Church, highlighting its vulnerabilities and the potential chaos stemming from its practices.

Defense of Catholicism

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In John Dryden's perspective, any church rooted in "private reason" and sectarian beliefs lacks the ability to offer true authority and a valid tradition. This conviction led him to embrace the Catholic Church, which he described as embodying the "one central principle of unity." For Dryden, the Catholic Church stands as "Entire, one solid shining diamond," exuding the grandeur befitting the bride of Christ. It serves as an authoritative and steadfast source of doctrine with a remarkable unity, sanctity, universality, and an unbroken apostolic succession. These elements starkly contrast with the intellectual and spiritual turmoil Dryden perceived among the English religious sects of the late seventeenth century.

Dryden’s poem is a masterful defense of Catholicism, crafted with exquisite verse, yet it transcends mere apologetics. It is a profound dramatization of a formidable intellect's quest for certainty amid a backdrop of political and religious disarray. The poem is not only a reflection of Dryden’s conviction but also an exploration of the broader human search for stability and truth in a fragmented world. Through his work, Dryden articulates a longing for a cohesive and enduring framework, which he finds embodied in the Catholic faith.

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