Critical Overview
Throughout her career, Charlotte Perkins Gilman was a tireless advocate for women's rights, using her writing as a vehicle to challenge societal norms and advocate for equality. Her work spans a diverse range of disciplines and genres, all unified by her steadfast belief in the potential of women to transform society through achieving their full potential. Her profound legacy is captured in the breadth of her writing, which not only critiqued existing social structures but also offered visionary alternatives.
Championing Women's Rights Through Writing
In her autobiography, The Living of Charlotte Perkins Gilman (1935), Gilman famously declared, "In my judgment it is a pretty poor thing to write, to talk, without a purpose." True to her words, she devoted her life to advocating for women's rights and ensuring that her voice was a powerful force for change. Describing herself as a humanist, Gilman infused her writing with a deep commitment to reshaping the social order to include women's full participation.
Gilman's literary output was prolific, with 2,173 published works covering sociology, political science, economics, literature, and women's studies. Her writings interwove her visionary ideas with contemporary theories of her time, such as the utopianism of Edward Bellamy and the evolutionary thought of Lester Frank Ward. This synthesis was brought to life in her utopian narratives like Moving the Mountain (1911), Herland, and its sequel, With Her in Ourland (1916), where she dramatized her critical theories.
The Gynocentric Vision
At the heart of Gilman's critical work lies the theme of gynocentrism, a concept she developed thoroughly in her seminal piece Women and Economics (1898). In Gilman's gynocentric theory, women were considered the central and dominant form of the species, while men played supportive roles in reproduction. She argued that the displacement of this natural order by androcentric societal norms forced women into restrictive roles, inhibiting their potential as human beings. Gilman noted, "women are not underdeveloped men, but the feminine half of humanity is underdeveloped humans."
She contested that societal conventions were insidious, creating a patrifocal status quo that women were conditioned to accept, thus perpetuating their own subordination. Such norms, according to Gilman, were harmful to both genders, teaching men to dominate and confining women to subordinate roles. She believed exposing these conventions was essential for women to realize their subjugation, achieve autonomy, and participate in collective political action aimed at transforming society into a fully humanized one.
Herland: A Satirical Utopia
Gilman's Herland serves as a narrative extension of her ideas, creatively illustrating her beliefs through satire and social commentary. The novel is among the first utopian stories penned by a woman about women, offering a progressive dismantling of patriarchal ideologies. In Herland, society is not male-dominated; instead, it thrives on 'New Motherhood,' a collective nurturing approach where community members collaboratively raise and educate children.
This alternate society has no need for traditional family roles, as specialists care for children, fostering a community devoid of destruction, hierarchy, or aggression. In this utopia, the nation's focus is on collective democracy, social consciousness, and environmental stewardship. The production and nurturing of Herland's children are central to its theology and national identity, emphasizing the community's ultimate priority.
Questioning Societal Norms
With wit and humor, Gilman uses negative examples to question and critique patriarchal conventions. Through Herland's lens, she points out the absurdity of Western societal norms. The characters explore questions like, "Why should there be surnames?" or "Why should a woman lose her identity after marriage?" The inquiries, though seemingly simple, expose the illogical foundations of many societal norms.
The male visitors in Herland find themselves perplexed by these questions and...
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the women's indifference to their masculine charms. Herlandic women do not exhibit the expected traits of passivity or helplessness, prompting the men to realize these behaviors in women are not inherent but conditioned by societal expectations.
An Ideal for Humanity
Eventually, the male characters understand that the Herlandic women, free from patriarchal constraints, have built a peaceful civilization through autonomy and cooperation. The narrative suggests that a society in which men and women coexist as equals is achievable, symbolized by the character Celis, who embodies the "New Mother" ready to lead Herland into an inclusive future. This vision reflects Gilman's utopian dream and her hopeful imagination for humanity.