Biography
Henry Splawn Taylor was born in 1942 in Loudoun County, Virginia. His father, Thomas Edward Taylor, was a high school English teacher and dairy farmer who encouraged his son to recognize literary elements of poetry. Taylor’s mother, Mary Marshall (Splawn) Taylor, was an economist and the daughter of Dr. Walter M. W. Splawn, an economics professor, university president, and lawyer who served as the federal Interstate Commerce Commission chairman in the mid-1930’s. Taylor and his three sisters grew up near the Lincoln community on farmland owned by his paternal grandparents that had belonged to the Taylor family since the late eighteenth century. Taylor’s family and artistic neighbors shaped his appreciation for cultural activities. He attended public schools in Loudoun County for nine grades before enrolling in the George School, a Quaker boarding institution in Pennsylvania, by 1958. At that school, Taylor aspired to become a writer. He competed in track and equestrian sports.
In 1960, Taylor began studies at the University of Virginia. As an undergraduate, he served as editor of the literary magazine Plume and Sword, participated in the campus drama club the Virginia Players, and was mentored in poetry by Fred Bornhauser and George Garrett. His erratic academic performance resulted in him withdrawing from classes. He used his time off to write poetry that he published in New Writing from Virginia (1963), Shenandoah, The Sixties, Georgia Review, Encounter, and other publications. Taylor resumed course work, graduating with a B.A. in English in 1965. He secured a book contract from the Louisiana State University Press for his debut poetry collection, which was published as The Horse Show at Midnight in 1966. Taylor married Sarah Bean in June, 1965. That year, he enrolled in the graduate creative writing program at Hollins College in Roanoke, Virginia, writing poems for that school’s literary magazine, Cargoes. Garrett anthologized Taylor’s short story, “And Bid a Fond Farewell to Tennessee,” written at Hollins, in The Girl in the Black Raincoat (1966). Annie Dillard and Lee Smith, who both became acclaimed writers, were students in writing seminars during the time Taylor was at Hollins. In 1966, Taylor received an M.A. in creative writing, writing his thesis “An Afternoon of Pocket Billiards,” which the University of Utah later published.
In 1966, Taylor began an impressive career as an academic and teacher of writing. Between 1966 and 1968, he served as an instructor of English at Roanoke College in Salem, Virginia, a community near Hollins. He and James Dickey critiqued poems written by students at Hollins in spring, 1967. After his 1967 divorce, Taylor married Frances “Frannie” Ferguson Carney, a Hollins graduate, the next year. They had two sons, Thomas and Richard. From 1968 through 1971, Taylor was an assistant professor of English at the University of Utah, where he directed the University of Utah Writers’ Conference starting in 1969. He later edited a festschrift celebrating that conference’s founder, Brewster Ghiselin.
In June, 1970, Taylor participated in the Hollins Conference in Creative Writing and Cinema, where radio host John Graham interviewed him. The transcripts and biographical profile featuring Taylor were printed in Craft So Hard to Learn: Conversations with Poets and Novelists About the Teaching of Writing (1972) and The Writer’s Voice: Conversations with Contemporary Writers (1973), both edited by Garrett. Since 1970, he has served as a contributing editor for Hollins Critic , also writing articles for that journal. Taylor accepted a position in 1971 as associate professor of literature at American University in Washington, D.C., where he was promoted to professor in 1976. During 1978, he returned to Hollins as...
(This entire section contains 884 words.)
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its writer-in-residence. He also served as director of both American University’s M.F.A. program in creative writing as of 1982 and its American studies program from 1983 to 1985. He was poetry editor ofNew Virginia Review in 1989.
Taylor continued to publish his poetry in numerous journals and anthologies, including Contemporary Southern Poetry: An Anthology (1979; Guy Owen and Mary C. Williams, editors), The Morrow Anthology of Younger American Poets (1985; Dave Smith and David Bottoms, editors), Southern Review, Nation, Poetry, Ploughshares, The Chronicle of the Horse, Virginia Quarterly Review, and Elvis in Oz: New Stories and Poem from the Hollins College Creative Writing Program (1992; Mary Flinn and Garrett, editors). He often presented his work at poetry readings. His peers noted Taylor’s talent for writing parodies and impersonating poets’ voices and mannerisms at readings. He wrote poems specifically for Phi Beta Kappa induction ceremonies at the State University of New York at Stony Brook and the College of William and Mary.
Taylor participated in Poetry in the Schools workshops with Loudoun County elementary students. He researched local history and geography, wrote columns printed in Washingtonian that described practical aspects of country life, and was the Goose Creek Quaker Meeting clerk, a position his ancestors had also held. Taylor and Frannie divorced, and he reunited with his first wife, whom he wed again circa 1996. In 1998, Taylor received radiation treatment for a cancerous jawbone. He donated his papers, including manuscripts and letters, to Hollins’ archives in 2001. That year the Fellowship of Southern Writers selected Taylor for induction. After his second marriage to Sarah ended, Taylor wed a woman named Mooshe on May 23, 2002, and retired from American University in 2003, becoming a literature professor emeritus. During his teaching career, Taylor maintained homes in Maine; Leesburg, Virginia; and near Bethesda, Maryland. In the early twenty-first century, he moved to Gig Harbor, Washington.
Criticism by Henry Taylor
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He Heard America Jiving
Langston Hughes Criticism
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Gwendolyn Brooks: An Essential Sanity
Gwendolyn Brooks Criticism
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Home to a Place beyond Exile: The Collected Poems of May Sarton
May Sarton Criticism
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In Charge of Morale in a Morbid Time: The Poetry of William Meredith
William Meredith Criticism
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In Charge of Morale in a Morbid Time
William Meredith Criticism
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Gifts of Light
Ben Belitt Criticism
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The Collected Poems of John Hall Wheelock
John Hall Wheelock Criticism
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Boom, Recent Poetry from University Presses
Richard Tillinghast Criticism