At a Glance
- Heart of Darkness is structured as a story within a story. In the frame narrative, Marlow is sitting on the deck of a ship with three other men, relating the events of his trip up the Congo River. This journey forms the central narrative of the novel.
- Conrad tackles themes of imperialism and colonialism in Heart of Darkness. Both Kurtz and Marlow are white outsiders benefiting off the exploitation and denigration of African natives. The language Conrad uses (including racial epithets) reinforces the evils and the inhumanity of colonialism.
- Kurtz himself is a symbol of Western civilization. His descent into madness comes after many years of imperialism, which brings out evils in him that might not otherwise have surfaced. His mental deterioration symbolizes the decay of Western civilization.
Narrative Point of View
Heart of Darkness is recounted by the Narrator, but it is essentially Marlow’s story, told primarily from Marlow’s first-person perspective. Marlow’s experiences in the Congo occur several years before the narrative’s present. Readers are asked to question the reliability of Marlow’s memory as he describes events that took place in the past. In the frame story, Marlow retrospectively recounts his journey in the Congo to the passengers on the Nellie in the River Thames. Marlow occasionally lapses into silence or is interrupted by the crew who are listening to him. As Marlow admits, the maddening effect of the Congo did impact him, calling into question how much of the narrative is an accurate portrayal of what happened and how much of it is obscured or warped by Marlow’s own deteriorated mental state.
Heart of Darkness is one of the few stories where the setting is almost a character in its own right. The novel’s present setting—London—mirrors the setting of the Congo, but it is the Congo that readers truly learn about. The Swede, after telling Marlow that a man died by suicide, said that maybe it was the sun or the country that overwhelmed him, implying that the setting is enough to drive a man to death. Marlow walks two hundred miles from the first station to the Central Station, remarking on how there seemed to be no one around. He feels alone, as everything is silent, and he frequently passes through abandoned villages. When he starts traveling up the Congo, he compares it to the idea of traveling back in time. He finds it difficult to navigate the river because it is wide and shallow in unexpected places. As a result, Marlow has to metaphorically fight against the river the entire length of the journey. The unsettling nature of the jungle also affects the behavior of the white men, who become “imbeciles” and act like fools, providing evidence for the doctor’s ominous suggestion that “scientifically interesting” changes take place in the minds of those who journey into the Congo.
Timeline and Narrative Progression
The plot advances almost linearly, but because it is shaped by Marlow’s narration, it digresses as Marlow reflects on his experiences. It also jumps forward and backward relative to the general flow of the narrative.
- For example, Marlow discusses the report Kurtz wrote before Kurtz is fully introduced. He receives this paper, and others, later in the novel, after his crew bring Kurtz back down the Congo to recover his health.
This narrative ordering allows readers to experience Kurtz the way that most of the characters, aside from Marlow, have experienced him—primarily through his words, which express high-minded, noble ideas that inspire Marlow when he reads them. This initial characterization of Kurtz is contradicted by how weak and barbarous he has become when Marlow finally encounters him. His lofty ideals about morality and civilization contrast with the sight of the decapitated heads of “rebels” who presumably questioned his authority.
Inspirations for the Novella
The plot of the novella, and some of the characters in it, are drawn from Conrad’s real-life...
(The entire section is 5,570 words.)