Shortly after her twelfth birthday, Pammy is riding with her father, Morris, to a health spa, where she will receive one of the ten tanning sessions that she requested as a birthday gift. Tanning and roller-skating—two of her passions in her final preteen year—help mitigate the worries that beset her youth. As she and her father drive to the spa, some of these concerns begin to surface.
The condition of Pammy’s family, in relation to families around her, both comforts and disturbs her. Her father, who teaches petroleum science at a local university, is an imaginative man who delights in such little things as the pure act of driving; he is good at it, as Pammy notes, and uses their time together in the car to instruct her in the intricacies of geared and fluid movement. His joy in movement is mirrored in the pleasure that Pammy takes in roller-skating. Pammy’s mother, Marge, is a student of art history and film at the university where her husband teaches; she keeps a chip of paint that fell from a Goya painting in a small glass box.
Morris’s fondness for travel has taken the family to many places—including Mexico, where six months earlier Pammy achieved her best-ever tan and also contracted tuberculosis. Pammy’s mother blames her father for her illness; scorning the safe hotel pools, Morris took Pammy to a mountain spa to swim. At this same place he later bought blue tiles for the family kitchen—the same kitchen in which Pammy...
(The entire section is 530 words.)