At a Glance

It's 2081, and the U.S. Constitution has been amended to prevent the intelligent and the beautiful from making those around them feel inferior. The beautiful are forced to wear masks to hide their features, and the strong are forced to carry weights to bring them down. These policies were adopted in the name of "equality."

  • Harrison Bergeron is a brilliant, handsome, seven-foot-tall boy who has been handicapped according to the new laws. He's just fourteen when the Handicapper General's men arrest him on suspicion of plotting to overthrow the government.
  • The Handicapper General rules the United States with an iron fist. New laws are passed and imposed for no apparent reason, and dissenters have learned not to openly question the Handicapper General for fear of being arrested, institutionalized, or shot.
  • Harrison escapes from the asylum and breaks into a TV studio that's hosting a dance competition. Harrison boldly tears off his handicaps and shares a brief, glorious dance with a ballerina before the competition before the Handicapper General shoots them both dead.


(Comprehensive Guide to Short Stories, Critical Edition)

By the year 2081, the search for true equality of all U.S. citizens has led to the creation of scores of amendments to the Constitution. In every case, the effort has not been to raise the standards of those handicapped by their differences or inadequacies. Instead, those who are gifted with superior intellect, physical beauty, or strength are penalized.

Those who are beautiful must wear hideous masks, intelligent people must wear headsets that jangle their brains and nerves with a series of loud, annoying sounds, and those with physical agility or strength must carry sacks of birdshot to weigh them down. Thus, in the race of life, all Americans are handicapped so that no one must ever feel ugly, stupid, or “like something the cat dragged in.”

Diana Moon Glampers is the Handicapper General, whose job is to track down violators of the law and rid society of those who menace the average, the inadequate, the mediocre. If a man wants to rest from the drudgery of carting around fifty pounds of birdshot by removing some pellets, he can be killed. Those, such as Harrison Bergeron, who learn to overcome their handicaps are forced to shoulder ever larger burdens, or noisier apparatus, or face incarceration or execution.

Society has become so repressive that no one dares question the increasing numbers of new laws that call for more handicaps and punishments. All those who oppose the Handicapper General are arrested, thrown into mental institutions, or shot because they threaten the fabric of society. The effects of these governmental policies are appalling. Society is stagnant because those smart enough to develop new technology, medicine, and literature have been permanently handicapped, exiled, or killed.

Television announcers have speech impediments, dancers cannot dance, musicians are tone deaf, and families lose all purpose, continuity, compassion, and love. A good example of this is Harrison Bergeron’s story. Harrison escapes from an asylum that was meant to protect society from him. Fourteen years old and already seven feet tall, he is the handsomest young man possible, and possesses an intellect that would stagger even Albert Einstein. George and Hazel, his parents, are aware of his exploits from reports on television. Harrison threatens the regime, for he would remove all artificial handicaps and enable people to achieve beyond the limits set by their inadequacies.

Instead of attempting to rally support to overthrow the government and create a better society, Harrison merely breaks into a television studio, disrupting the musical show by removing everyone’s masks and handicaps. Choosing the most beautiful of the dancers, he dances higher and higher as the musicians play brilliantly. As the couple leap, they appear to fly in the air as they kiss the ceiling—this is freedom! The sound of two shotgun blasts signals that Harrison and the ballerina have been shot down by the Handicapper General.

Harrison’s parents witness the entire affair on their television, but when George goes to the kitchen for something and Hazel gets sidetracked, neither can remember why they are crying—something sad on television, no doubt.


(Masterpieces of American Literature)

First published in Fantasy and Science Fiction Magazine, “Harrison Bergeron” is set in 2081, when equality has finally been achieved by elimination of the exceptionally gifted or by controlling them via technology. Such methods of control include mental handicap radios in ears which emit ghastly sounds to interrupt and control thought, masks which conceal exceptionally attractive faces and clothing which does the same for bodies, and weights that the physically strong carry at all times, like handicaps for horses. However, George and Hazel Bergeron’s son, Harrison, is so exceptionally gifted physically, artistically, and mentally that the HG (Handicapper General) men come and take him away. Harrison escapes, though, and enters a television station where a dance program is being broadcast (which his parents are watching), throws off his physical handicaps, declares himself emperor, and encourages one exceptionally beautiful (and onerously handicapped) female dancer to throw off her handicaps and dance with him and be his empress. During the dance by these two beautiful and gifted people, and at the moment of their kiss, the dancers are shot dead by the Handicapper General. Harrison’s parents, too handicapped and controlled to be able to focus clearly on or understand or respond to the death of their son, simply continue watching television, although George’s ear radio noises are drastically increased to impede comprehension and reaction, and Hazel cries because of “something real sad on television.” She just cannot remember what it was.

“Harrison Bergeron” effectively renders Vonnegut’s vision of the unethical, misguided use of scientific and technological advancements in the future, a frequent theme in his later fiction, such as in Cat’s Cradle in 1963. Under the guise of an admirable equality, those in power in 2081 use technology to maintain their power and the status quo by controlling, by force if necessary, the evolutionary progression of human abilities. Vonnegut would return to this theme of evolutionary interference in Galápagos in 1985, with more subtle examination of the ambiguous permutations. Although a creative and ironically humorous story in which the laughter is, as always in Vonnegut, a painful response to an absurd world, “Harrison Bergeron” lacks the originality and technical creativity of Vonnegut’s best fiction, particularly since Aldous Huxley had more realistically and effectively dramatized the same themes and ideas in Brave New World (1932) nearly thirty years earlier.


(Beacham's Guide to Literature for Young Adults)

"Harrison Bergeron" is set in a future America, when everyone is equal according to Constitutional Amendments, and agents of the Handicapper...

(The entire section is 208 words.)


(Short Stories for Students)

‘‘Harrison Bergeron’’ is set in the future, when Constitutional Amendments have made everyone equal. The agents of the Handicapper...

(The entire section is 530 words.)