(Critical Guide to British Fiction)

The action of the novel takes place in an extended flashback that covers the summer holidays of two young teenage girls: the unnamed narrator and her friend Harriet. The narrator tells a dispassionate story of how she and her friend destroy the self-effacing Peter Biggs, whom they have named “Tsar.” The choice of this name highlights their childish romanticism and ignorance. The summer for them is no innocent rite of passage into young womanhood but rather the working out of their twisted need to control and destroy those adults who get in their way.

The narrator has returned from her year at boarding school, where she was sent because her behavior was so unruly. Like her friend Harriet, she is wise beyond her years, but she lacks the necessary maliciousness to act on her desires without the prodding of Harriet. When Harriet returns from her holiday in Wales, the two girls take an interest in the life and activities of Peter Biggs and his wife. Capitalizing on Biggs’s friendliness toward her earlier in the summer, Harriet begins—with an almost scientific detachment—to engineer ways for the narrator to be thrown together with him.

Harriet is the real troublemaker. She has already experimented with the power of her sexuality in her flirtations with the Italian prisoners of war interned in Formby as well as with a young man she met while on holiday. She subtly forces the narrator to entrap Biggs by alluding to “something” she did with that young man but that she cannot bring herself to talk about “just...

(The entire section is 629 words.)


(Critical Guide to British Fiction)

Godwin, Gail. Review in The New York Times Book Review. LXVIII (September 30, 1973), p. 38.

Ms. Review. III (December, 1974), p. 39.

The New Yorker. Review. XLIX (October 29, 1973), p. 49.

Wimble, Barton. Review in Library Journal. XCVIII (November 1, 1973), p.3280.