Shakespeare, Another Epic, and Nehru
["Independent People"], laid in Iceland, tells about a man who struggles for eighteen years to get hold of enough money to buy a sheep farm and then has to struggle just as hard to keep hold of it. Since such epical efforts cannot be confined within the dimensions of the ordinary novel and since Mr. Laxness's theme is that of man against the universe, he lets himself go for four hundred and seventy pages of just about solid type. His book consequently moves at the pace of one of the livelier glaciers. I can't say that it is altogether enjoyable, particularly those long passages of somewhat murky philosophy that are as essential to an epic as the theme of man against the universe, but it's not altogether unreadable, either. Mr. Laxness's hero, it might be added, is as disagreeable a character as ever an epic was built around—hard, bigoted, and mean—and there are times when, despite his motto. "This land will not betray its flocks," he clearly hates the hell out of everything. The book has a certain impressiveness, but I can't get rid of the notion that much of what looks like impressiveness is simply bulk. There must be a few writers in the cold countries who are not epic…. (pp. 88-9)
Hamilton Basso, "Shakespeare, Another Epic, and Nehru," in The New Yorker (© 1946 by The New Yorker Magazine, Inc.), Vol. XXII, No. 27, August 17, 1946, pp. 88-9.∗
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