“The Groundhog” is a poem in free verse; its forty-eight lines are marked by no formal divisions. It traces a process of development in four main stages, however; the first stage occupies the first twenty-four lines, while the last three are allotted eight lines each.
The speaker, the “I” of the poem, is never clearly identified but is probably a man of thoughtful, even scholarly, habits. He recounts a series of four encounters with a dead groundhog, ending in the present, three years after his first sight of the lifeless animal.
Strong emotions dominate stage 1, the speaker’s first reaction to the groundhog, which has died recently. It is June, the height of the season of fullest life, but the three heavy stresses of line 3, “Dead lay he,” arrest and shock the speaker. Senses shaking and mind racing, the speaker nevertheless focuses carefully on the busy, “ferocious” process of the groundhog’s decay. He even takes action, angrily poking the body, which is seething with maggots. His anger may stem from his disgust at seeing the maggots or it may be the anger of denial, a cold rage against death. The emotion is pointless, however, for the heat of the localized natural scene becomes generalized and cosmic, as the “immense energy” of nature—from maggots to the sun—dwarfs and disarms the speaker. Standing silently, the speaker tries to make sense of his experience, hoping to balance his initial passion with...
(The entire section is 465 words.)