The Green Mile is a serialized novel in six installments: The Two Dead Girls, The Mouse on the Mile, Coffey's Hands, The Bad Death of Eduard Delacroix, Night Journey, and Coffey on the Mile. In his "Foreword" to the first installment, The Two Dead Girls, King explains his decision to serialize The Green Mile. An admirer of Charles Dickens, King planned a series of chapbooks, modeled on the nineteenth-century practice. King believed that his "constant readers" would, thereby, experience the story more intensely. They could neither "gulp" the story at a single sitting nor cheat by peeking at the ending. The installments of The Green Mile were issued monthly, beginning with The Two Dead Girls (March 1996) and ending with Coffey on the Mile (August 1996). The first installment, King stated, appeared before he knew how the story would end. While the experiment was successful in terms of sales, King admits in his "Afterword" that the book shows signs of haste and that some of the details of the 1930s milieu were anachronistic. Were The Green Mile to be published in a single volume, it would need revision.
In The Green Mile, King uses the literary device of the "frame story." The story of the executions and healings at the Cold Mountain Penitentiary is framed by glimpses of narrator and protagonist Paul Edgecombe at 104 years of age, writing his story in a nursing home. There are intriguing parallels between the two eras. The older Paul is harassed by the brutal aide Brad Dolan, a double of Percy Wetmore. At Georgia Pines, Brad Dolan displays the same all-consuming, motiveless malice for the aging Paul that Wetmore had displayed for the inmate, Delacroix. The threat of exploiting political connections figures in both the frame and the story proper. Wetmore is protected from the consequences of his outrageous cruelty because he is related to the governor. At Georgia Pines, the shoe is on the other foot. Paul's friend, Elaine Connelly, protects Paul by threatening that she will report Brad's brutal conduct to her grandson, Speaker of the Georgia House of Representatives.
Even within the 1932 period, events come in twos. Coffey performs two healings. There are two sets of twins, both victims of a senseless attack by a being their family had trusted. The little Detterick girls had been murdered by a man who had shared the family's meals for several days while painting their barn. Investigating the girls' murders, Paul meets the twin son of newspaper reporter Hammersmith; the boy had been mangled by the beloved family dog who had been gentle and loving with the children up to the time of his unprovoked attack.
Each successive chapbook ends with an invitation to "Enter The Green Mile Contest!" Contestants were asked to write a fifty-word response to a question pertaining to that particular volume. King's questions provide a good starting point for discussion of each volume. Both the serial format and the discussion questions reflect King's desire to engage in an ongoing dialog with his "constant readers."
The Two Dead Girls: "Why does the mouse, Mr. Jingles, choose Delacroix as its special friend?"
The Mouse on the Mile: "It is said in the book that the guards have no real power over the prisoners on the Green Mile. What does this mean?"
Coffey's hands: "King constantly portrays Percy much less sympathetically than Delacroix or Coffey. What is he trying to say?"
The Bad Death of Eduard Delacroix: "Brad Dolan, the orderly at Georgia Pines, reminds the narrator of Percy Wetmore. What similarities do the two of them share?"
Night Journey :...
(This entire section contains 952 words.)
"The narrator, Paul Edgecombe, has a strange dream on the way back from Warden Moore's house. What do you think the dream means?"
Coffey on the Mile: "Would you like to have John Coffey's 'Gift'? Why or why not?"
The Green Mile might fruitfully be discussed in conjunction with books, fiction and non-fiction, that provide in-depth looks at prisoners, especially those facing execution. Percy Wetmore brings John Coffey onto E Block shouting: "Dead man walking! Dead man walking here!" (The Two Dead Girls). The allusion is to the book by Helen Prejean, Dead Man Walking: An Eyewitness Account of the Death Penalty in the United States (1993), or to the film based upon it. Other works with a prison milieu are Brendan Beham's play, The Quart Fellow, Norman Mailer's The Executioner's Song (1979; see separate entry); Truman Capote's In Cold Blood (1965; see separate entry); Jack Henry Abbott's In the Belly of the Beast: Letters from Prison (1981); and Eldridge Cleaver's Soul on Ice (1967).
1. Discuss what Paul has to say about his own writing process and the effect that reliving events in 1932 have on him in the present. Why is he compelled to relive events that are so painful for him?
2. What parallels do you find between the E-Block and the Georgia Pines Nursing Home? Discuss other ways in which E-Block, with its condemned prisoners waiting to be executed, is used metaphorically to describe other human conditions.
3. Discuss The Green Mile as a critique of the death penalty. What do you make of the fact that, during the time span covered, the men executed are, respectively, a Native American, a French Canadian, and a man who is both Black and mentally retarded?
4. Discuss God's role in The Green Mile. Brought up in "the church of Praise Jesus, The Lord Is Mighty," Paul sees the hand of God in Coffey's healings and in Mr. Jingles' appearance to comfort condemned murder, Eduard Delacroix. Yet, at the end of the story, Paul is overwhelmed by God's cruelty in permitting the senseless deaths of his wife, the Detterick twins, and John Coffey. What do you make of this contradiction? Do you think that the spiritual views of the younger or the older Paul best explain the book's events?
5. The Green Mile ends on a somber note. The sadistic orderly, Brad Dolan, is (uncharacteristically for Stephen King) never punished. All Paul's friends have died, and Paul himself is waiting for a death that seems slow in coming. Do you find King's downbeat ending appropriate, or would you like to rewrite it?
6. King's books are regularly made into films and King finds much of his literary inspiration in films. Would The Green Mile be suitable for a motion picture adaptation? If so, who would you choose to direct it? What actor would you cast as Paul Edgecombe? As William Wharton? As John Coffey?
7. Do you find it convincing that Paul Edgecombe works so hard to track down evidence that demonstrates conclusively that John Coffey could not have murdered Cora and Kathe Detterick, then make no effort to get the innocent man a new trial? Do you believe that Paul, as he is characterized, would execute someone he knows—and can prove—is innocent?
8. King often provides clues to his characters' moral natures through what they read. Percy is an avid fan of pornographic comic books, Argosy, Stag, and Men's Adventure. Brad Dolan carries around Gross Jokes and Sick jokes. What types of books do you enjoy, and what does your choice of reading say about you? If you are a Stephen King fan, why do his books strike a responsive chord in you?
9. What is the difference between reading a book in its entirety and reading it in installments? Do you agree with King that the effect of a story is experienced more intensely when the reader cannot read (or skim) the book at a sitting? What are the advantages and disadvantages of the serial format?
10. The Green Mile is set mainly in the male world of a death row prison block. There are, however, some female characters: e.g., Paul's wife, Janet, and his eighty-year-old special friend, Elaine Connelly; the warden's ailing wife, Melinda; and Mrs. Detterick, who attends Coffey's execution and yells that she wants him to suffer. Do you find King's women convincing as people? Why or why not?
11. The review of The Green Mile in New York Times Book Review calls the novel unconvincing in "its Depression ambiance," saying that it "radiates 1996, not 1931, or feels cadged from a James Cagney movie". Do you agree or disagree with this assessment? If you agree, what aspects of the Depression milieu or of the characters' attitudes and speech seem anachronistic to you? Does lack of historical authenticity pose a problem for you in enjoying the book?
Stephen King is one of the most allusive of all contemporary fiction writers. Because he is a voracious, eclectic reader and motion picture viewer, references to an amazingly wide range of sources crop up in his works. Part of the fun of reading The Green Mile is being one of the insiders who recognizes echoes, not only of Poe, Lovecraft, and other horror writers, but of Steinbeck's Of Mice and Men (1937; see separate entry); the noir films White Heat (1949) and Kiss of Death (1947); and the Bible.
Readers may wish to explore The Green Mile's many biblical references. In John Coffey, King alludes both to the Isaiah's servant and to Jesus. Coffey is burdened with such an empathy for suffering humanity that he weeps continually, recalling Isaiah's description of the suffering servant: "Surely he hath borne our griefs, and carried our sorrows: yet we did esteem him stricken, smitten of God, and afflicted. But he was wounded for our transgressions, he was bruised for our iniquities: . . . and with his stripes we are healed" (Isaiah 53: 4-5). In Paul's dream about the crucifixion, Coffey stands in for Christ. Paul and the guards, "Brutal," Harry, and Dean, are Centurions crucifying John Coffey, flanked by Percy Wetmore (the bad thief) and Eduard Delacroix (the good thief). Like Isaiah's servant and Christ, Coffey suffers violence and scorn from those he came to help.
Audiobooks were issued simultaneously with each chapbook. The entire unabridged version of The Green Mile takes up twelve sound cassettes and runs for eighteen hours. All are read by Frank Muller, whose folksy delivery provides a splendid recreation of King's hard-working, decent, Southern Protestant narrator, Paul Edgecombe. Muller has narrated other Audiobooks based on King's works: Different Seasons, Skeleton Crew (1985), The Mist (1985), and The Regulators.
The Green Mile has appeared in Hebrew (Tel Aviv: Modan, 1996) and in Spanish (Barcelona: Plaza & Janes, 1996).