W. H. Hudson’s story concerns the developing love between Abel and the birdlike Rima. Rima is associated with birds as a part of the natural order of the forest. Abel hears a birdlike warble, but one with some hint of intelligence in it. Following the warble, he searches until, looking through some foliage to an open space, he sees a girl reclining near a tree with one arm outstretched toward a bird, while the bird flitted with its wings and tail, ready to hop onto the girl’s pointing finger. Abel describes the girl as small, with a slim figure and with delicately shaped little hands and feet. Her dress and hair suggest a number of colors, something like the colored plumage of a bird. Elsewhere she is compared to a hummingbird. She eats no meat, only seeds and berries. In a tall tree, she walks along the branches with no fear of falling. Finally, at her murder, she falls from a high tree like a great white bird killed with a hunter’s arrow. Rima is not only in tune with nature, she represents it.
Rima’s charm lies in this closeness to nature. She prevents the native people from hunting in this area, thus protecting the animals. When Abel raises a stone to crush a venomous serpent, Rima appears, forbidding such a killing, and the snake gratefully winds itself about Rima’s ankle. She wears a dress whose fabric has been spun from a spider’s web; a priest baptizes her, not with a saint’s name, but with a natural place name, Riolama, shortened to Rima. She travels without fear of being lost in this rain forest, or of being attacked by beasts, or of being found by hostile tribesmen. The color of her hair, of her skin, of her eyes, and of her blush changes with the shades of light and foliage, reminding the reader of a chameleon’s change or of birds in their many colors.
Rima learns the language of nature from her mother, who has died. She eventually impels...
(The entire section is 773 words.)