What are examples of direct and indirect characterization of Gatsby in The Great Gatsby?

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In "The Great Gatsby," direct characterization of Gatsby is seen through Nick Carraway's descriptions, using words like romantic, elegant, and irresistible to depict Gatsby's charisma. Indirect characterization is inferred from Gatsby's dialogue and actions, such as his desperate eagerness to mingle with the elite Sloanes, revealing his desire for inclusion and his status as an outsider. These elements together paint a picture of a complex and multifaceted character.

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Direct characterization is when the narrator plainly states a character's traits. Since The Great Gatsby is told through the first-person point of view narration of Nick Carraway, much of the characterization in the novel is direct. He openly describes the impression Jay Gatsby has upon him when they first meet, for instance. He uses descriptors such as romantic, elegant, and irresistible, showing how Gatsby is a charismatic man who draws people to him.

Indirect characterization is when a character's personality traits are not outright stated but rather implied through their dialogue and actions. One great example of this in The Great Gatsby is Daisy Buchannan's famous wish that her daughter will be "a beautiful little fool." She says this in the light of her husband Tom's infidelity with the flapper Myrtle, an indiscretion of which she is acutely aware. She is saying she wishes her own daughter will be too foolish and shallow to notice or be hurt by other people in the same way because it is preferable to be happy in ignorance.

This characterizes Daisy as a more vulnerable and bitter person than she lets onto with her cheerful, frivolous social persona. It also shows how she finds it better to avoid confrontation rather than fix the uncomfortable problems in her life, a fact which will come to destroy her rekindled relationship with Gatsby.

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Characterization is a literary tool that dominates the narrative of The Great Gatsby. Even the narrator, Nick Carraway, is a character himself. In the opening lines of the first chapter, Nick delineates himself an objective observer, declaring that he is " . . . inclined to reserve all judgments." 

As the narrator, then, Nick provides the reader with direct characterizations, that is, he directly states what traits a character possesses. For instance, Nick characterizes Jay Gatsby as having "a romantic readiness such as I have never found in any other person and which it is not likely I shall ever find again" (Ch.1). In another instance of direct characterization, the narrator Nick describes Gatsby and provides commentary to the readers about him when he and Gatsby have their first encounter at the party, which Nick had been invited to without realizing who his host is. At the same time, Nick informs the reader of much more about Gatsby, intimating that there is a facade which he presents. 

He smiled understandingly—much more than understandingly. It was one of those rare smiles with a quality of eternal reassurance in it, . . . and then concentrated on you with an irresistible prejudice in your favor. It understood you just as far as you wanted to be understood, believed in you as you would like to believe in yourself and assured you that it had precisely the impression of you that . . . you hoped to convey. Precisely at that point it vanished—and I was looking at an elegant young rough-neck, a year or two over thirty, whose elaborate formality of speech just missed being absurd. (Ch.3)

Indirect characterization involves more subtlety than direct characterization. With this form of depicting a character, the readers must determine for themselves the qualities that the personage possesses. They do this by examining the speech, behavior, mannerisms, and appearance of a character. Also, readers must analyze the dialogues that a character has with other characters to determine his/her characteristics. For instance, in the fourth chapter as Nick rides in Gatsby's elaborate car, Gatsby talks with Nick along the way, supposedly describing his background. 

"I'll tell you God's truth. . . . My family all died and I came into a good deal of money. . . . I lived like a young rajah in all the capitals of Europe. . . . Then came the war, old sport. It was a great relief and I tried very hard to die but I seemed to bear an enchanted life. . . . In the Argonne Forest I took two machine-gun detachments so far forward. . . . I was promoted to be a major and every Allied government gave me a decoration. . . . " (Ch.4)

In this monologue, Gatsby commits many historical inaccuracies that a reader should notice. Further, some of Gatsby's actions, such as his desperate eagerness to drive behind the elite Sloanes who are on their horses just to be with them, demonstrates his sense of wishing to be included in a society of which he is not part. Tom's words also suggest Gatsby's apparent inferiority.

"My God, I believe the man's coming," said Tom. "Doesn't he know she doesn't want him?" (Ch.6)  

From this reaction of Tom Buchanan's, the reader can infer that Gatsby, for all his wealth, is still regarded as an outsider.

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Direct characterization is what is explicitly told to us by the author about a character.  However, in The Great Gatsby, the story is told through a first person observer viewpoint.  In other words, Gatsby is characterized directly by Nick, not the author.  The opening pages of the novel provide examples of Nick's direct characterization of Gatsby in which Nick declares that Gatsby had

an extraordinary gift for hope, a romantic readiness such as I have never found in any other person and which it is not likely I shall ever find again.

Indirect characterization is achieved by inference.  From the descriptions of the character's actions, speech, appearance, home, we can determine much about a character's personality that usually results in our judgment of that particular personality.  Throughout The Great Gatsby, the readers must determine whether or not Nick's comments about Gatsby are true or if we have a different impression of the man that Nick is both impressed with and somewhat contemptuous of.

For instance, Gatsby's constant use of "old sport," seems to imply a somewhat pretentious speech.  His  car is described as

rich cream color, bright with nickel, swollen here and there in its monstrous length with triumphant hatboxes and supper-boxes and tool-boxes

giving the impression of ostentatiousness.  Gatsby's association with a man like Mr. Wolfshiem suggests Gatsby's corruption.  Even when Nick withholds his judgment, which he often does until the end of the novel, we are given key details that allow us to develop our own opinion of this character.

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What are some examples of direct and indirect characterization of George Wilson in The Great Gatsby?

Direct characterization is revealed through mainly exposition which prefaces the plot.

Indirect characterization is revealed through the action of the plot, mainly through dialogue.

Direct characterization with Wilson is problematic since Nick is not a primary witness to Wilson, either at the garage or before he murders Gatsby.  Rather, Nick only hears it second-hand through Michaelis afterwards.  We only get little pieces from Nick that border on direct characterization:

With an effort Wilson left the shade and support of the doorway and, breathing hard, unscrewed the cap of the tank. In the sunlight his face was green.

Like most of the women in the novel, Wilson is a flat, static character, so it is difficult to decide how Nick (or Fitzgerald) directly feels about him.  Perhaps Nick, like Tom, doesn't really care about the lower classes.

An example of indirect characterization is in chapter 2 when Nick observes the conversation between Tom and Wilson:

“Hello, Wilson, old man,” said Tom, slapping him jovially on the shoulder. “How’s business?”

“I can’t complain,” answered Wilson unconvincingly. “When are you going to sell me that car?”

“Next week; I’ve got my man working on it now.”

“Works pretty slow, don’t he?”

“No, he doesn’t,” said Tom coldly. “And if you feel that way about it, maybe I’d better sell it somewhere else after all.”

“I don’t mean that,” explained Wilson quickly. “I just meant——”

We can tell that the upper-class Tom is holding the car, and his socio-economic status, over the lower-class Wilson.  The dialogue reveals Wilson to be weak, not only in the conversation with Tom, but in his marriage and socio-economic status in society.  It is ironic that Tom, who is cheating on his wife with Wilson's wife, will treat Wilson with such contempt.

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