The Great Gatsby Style, Form, and Literary Elements
by F. Scott Fitzgerald

The Great Gatsby book cover
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Places Discussed

(Critical Guide to Settings and Places in Literature)

Gatsby’s Mansion

Gatsby’s mansion. Garish, multilevel home located on “West Egg.” The narrator Nick Carraway describes it as colossal, as ostentatious as it is roomy. Situated on forty acres, the mansion is the site of numerous glitzy and riotous parties thrown by Gatsby, hoping to pique Daisy Buchanan’s interest. The mansion, however, is much more than a lure for Gatsby’s long lost love; it is a symbol of the man himself and his dream of materialism as a vehicle to success both literally and romantically. Gatsby’s home parallels his persona—grand, mysterious, and richly adorned. It is the emblem of a successful businessman and the symbol of what he hopes to recover in Daisy and her love. The mansion is also a representation of a shortsighted American Dream: that material success, in and of itself, will bring one status and happiness. Unfortunately, the dream is based on hollow underpinnings, on the vacuous Daisy and the misguided concept that large amounts of money can be made and used without responsibility. Conversely, the mansion serves also as a symbol of Gatsby’s vision, aspiration, idealism, and belief in the American Dream of the self-made man. Thus, it is simultaneously a symbolic representation of the “great” Gatsby and of the flawed one. Ultimately, Nick Carraway describes the mansion as “that huge incoherent failure of a house.” The mansion exists as both a vision and failure of such a vision.

East Egg

East Egg and West Egg. Fictionalized opposing peninsulas of Long Island Sound described as resembling a giant pair of eggs. They are contrasted in terms of fashionableness, color, and type of wealth. The East Egg mansions glitter along the water; they are more chic and are representative of older, Eastern, inherited wealth. The West Egg residences are more derivative and imitative, representative of the nouveau riche, affluent newcomers not yet accepted into the highest echelons of wealth. It is Gatsby’s habitation in West Egg that denotes his aspiration to a social status that seems unattainable. The Buchanans, who reside on East Egg, represent the arrogance of an exclusive clique who attend Gatsby’s parties and share in the fruits of his wealth but who essentially despise him. Tom Buchanan, who has inherited his fortune, does not value it in terms of the traditional American ethics of hard work, integrity, fairness, and success coupled with responsibility. The two Eggs also represent the larger framework of an East symbolic of European antiquity, old money, and corruption, and a West symbolic of independence, new money, and the pioneering spirit. Certainly Nick Carraway values Western ideals over Eastern, and at the conclusion of the novel he returns, in a westerly direction, to the traditional and conservative Midwest whence he came.

Valley of Ashes

Valley of Ashes. Generally considered to be Flushing in New York City’s borough of Queens, this place exists as a gray, dead, powdery area—even the homes seem to be composed of ashes—passed by motorcars on their way to New York. Here Myrtle and George Wilson live and operate a garage and gasoline station. The valley is a metaphoric representation of the wasteland the American Dream becomes when ethics and morals are disassociated from it. The valley is also the locus of those, such as George and Myrtle, who are victimized by the arrogant wealthy who base their lives on pleasure, avoidance of boredom, and dishonesty. If East and West Egg are two renditions of attainment of the American Dream, the Valley of Ashes is its demise. Literally it is the site where Daisy kills Myrtle, without compunction, and George decides to murder Gatsby. Finally, overlooking the valley are the giant blue eyes of Dr. T. J. Eckleburg, who stares down on the ashes from a billboard. A central symbol of guilt, judgment, and God, it invests the valley with a moral intensity that allies the novel with existential themes and statements about the moral bankruptcy of the modern...

(The entire section is 2,524 words.)