Dan Cody played a crucial role in Gatsby's life as a mentor and father figure, introducing him to wealth and high society. Cody's influence helped shape Gatsby's ambition and dreams, providing him with the experience and knowledge needed to pursue his own fortune. This relationship significantly impacted Gatsby's transformation from James Gatz to Jay Gatsby.

The irony of Dan Cody in The Great Gatsby lies in his role as a mentor to Gatsby. Despite his wealth and influence, Cody's life is marred by alcoholism and exploitation by others. This contrasts sharply with Gatsby's idealistic view of wealth and success, showing that material wealth does not guarantee happiness or moral integrity.

In The Great Gatsby, Ewing Klipspringer is a minor character known as "the boarder" who resides in Gatsby's mansion, symbolizing the superficiality of Gatsby's social circle. He is a freeloader who plays the piano during Gatsby's reunion with Daisy, highlighting themes of wealth and happiness through the ironic songs "Ain't We Got Fun" and "The Love Nest." Klipspringer's indifference to Gatsby's death underscores the novel's critique of the hollow relationships among the wealthy.

In The Great Gatsby, Owl Eyes serves as a symbol of insight and perception, offering a unique perspective on Gatsby's character and the broader themes of reality versus illusion. Encountered in Gatsby's library, he is amazed that the books are real, yet notes they are unread, indicating Gatsby's facade. Owl Eyes is one of the few who attends Gatsby's funeral, highlighting his ability to see beyond superficial appearances. His presence underscores the themes of authenticity and the emptiness of the social elite.

In The Great Gatsby, the Owl-Eyed Man's presence at Gatsby's funeral symbolizes insight and empathy, contrasting with the superficiality of other guests. Initially introduced at Gatsby's party, where he is impressed by the authenticity of Gatsby's library, he represents clear-sightedness and wisdom, akin to Dr. T. J. Eckleburg's eyes. His attendance at the funeral highlights the hypocrisy of Gatsby's social circle, as he recognizes Gatsby's genuine character, unlike those who exploited him during his life.

George Wilson locks Myrtle in the bedroom because he suspects she is having an affair. He believes that confining her and planning to move away will end her infidelity. However, this action tragically backfires when Myrtle escapes and is accidentally killed by Daisy, leading to George's grief-driven quest for revenge and ultimately resulting in his and Gatsby's deaths.

George Wilson epitomizes the failure of the American Dream in the Valley of Ashes, a bleak area where residents, like him, struggle to improve their lives. His unsuccessful garage reflects the hopelessness and stagnation of the area. Unlike the wealth and glamour of characters like Tom and Daisy Buchanan, George's life is marked by toil and unfulfilled dreams, highlighting the disparity between the rich and the "forgotten" ordinary citizens of the 1920s.

George Wilson's realization that Gatsby owns the car that killed Myrtle leads to the tragic climax. Fitzgerald foreshadows this event through earlier hints about the car and tension between characters, culminating in Wilson's vengeful actions.

George Wilson in The Great Gatsby is portrayed as a poor, naive, and submissive character, operating an unsuccessful auto shop in the Valley of Ashes. He is manipulated by Tom Buchanan, who exploits George's socioeconomic status and desperation. Despite his weak demeanor, George's moral conviction surfaces upon discovering his wife Myrtle's infidelity, leading to tragic actions. Comparatively, he shares similarities with Jay Gatsby as both men are dreamers who love unfaithful women and ultimately fall victim to Tom's manipulations, highlighting the unattainability of the American Dream.

In The Great Gatsby, George Wilson believes that Myrtle's fate was a result of her infidelity and that she was killed by her lover. He is convinced that the car accident was not merely an accident but a deliberate act by the person with whom Myrtle was having an affair.

Myrtle Wilson behaves arrogantly towards her husband and in the city apartment because she is ashamed of her lower social status and seeks to elevate herself through an affair with Tom Buchanan. She believes she deserves a higher social position and indulges in this fantasy by acting superior and adopting airs of wealth. Her behavior reflects her desire to escape her dreary life with George in the Valley of Ashes and live out her illusion of the American Dream.

Fitzgerald indicates Myrtle Wilson's lack of intellect through her social status, behavior, and environment. Living in the Valley of Ashes and married to a mechanic, Myrtle aspires to the wealth of Tom Buchanan but lacks sophistication. Her pretentious behavior, affected speech, and interest in gossip magazines rather than intellectual pursuits highlight her limited intellectual capacity. Her gaudy apartment decor and impulsive actions further underscore her lack of intellectual depth and emotional maturity.

Myrtle Wilson and Tom Buchanan are lovers.

Myrtle Wilson's incorrect assumptions include believing that Tom Buchanan will leave his wife Daisy for her and that wealth equates to happiness and status. These misconceptions lead her to make poor decisions, ultimately resulting in her tragic death.

Myrtle Wilson regrets marrying George because she believes he is beneath her and cannot provide the materialistic lifestyle she desires. She expresses disdain for George, describing him as unfit to "lick my shoe," and admits she married him thinking he was a gentleman. Her behavior with Tom, flaunting her sexuality and indulging in vanity, further highlights her dissatisfaction with her marriage.

Significant quotes and character observations about Myrtle Wilson in The Great Gatsby often highlight her desire for a better life and her dissatisfaction with her social status. She is described as having a "vitality about her as if the nerves of her body were continually smouldering." Myrtle's affair with Tom Buchanan showcases her pursuit of wealth and status, which ultimately leads to her tragic end.

Fitzgerald's portrayal of Myrtle Wilson in The Great Gatsby reflects a critical attitude towards her character. He depicts her as materialistic and shallow, driven by a desire to escape her lower-class status. Myrtle's tragic end underscores the futility of her aspirations and the harsh realities of pursuing the American Dream through superficial means.

Meyer Wolfsheim assumes that Nick is looking for "a business gonnection," implying a job within the criminal underworld. Gatsby quickly clarifies that Nick is just a friend, not seeking employment. This interaction reveals to Nick that Gatsby is associated with criminal activities, such as bootlegging, and raises doubts about Gatsby's character.

Gatsby's relationship with Meyer Wolfsheim suggests a connection to organized crime and a less-than-honorable background. Wolfsheim is a gambler and a figure involved in illegal activities, indicating that Gatsby's wealth may have been acquired through illicit means. This relationship highlights the moral ambiguity and corruption underlying Gatsby's seemingly glamorous lifestyle.

Meyer Wolfsheim in The Great Gatsby is a significant character representing the criminal underworld. He is Gatsby's mentor, helping him amass wealth through illegal bootlegging, and symbolizes the darker side of the American Dream. Wolfsheim's involvement in fixing the 1919 World Series highlights his infamy and influence. His character adds a cynical tone to the narrative, revealing Gatsby's murky past. Fitzgerald's depiction of Wolfsheim also reflects anti-Semitic stereotypes, as seen in the focus on his nose.

Catherine in The Great Gatsby is Myrtle Wilson's sister. She lives in New York City and provides Myrtle with alibis for visiting Tom Buchanan, with whom Myrtle is having an affair. Catherine is a minor character but plays a significant role by connecting to the main plot, especially during Myrtle's inquest, where she lies to protect her sister's reputation.

Michaelis serves as a minor yet significant character in The Great Gatsby, acting as a witness to Myrtle Wilson's death. His role highlights the theme of the moral decay and carelessness of the wealthy. As an outsider, he contrasts with the main characters, emphasizing their detachment from reality and the consequences of their actions.