Last Updated on May 6, 2015, by eNotes Editorial. Word Count: 994
Many historians and scholars attribute the rise of the Gothic as a response to the prevailing mode of rational thought and reason. Indeed, eighteenthcentury thought was dominated by an intellectual movement called the enlightenment by later historians. Enlightenment philosophers and writers privileged reason and human understanding above emotions and feelings. Furthermore, the rise of experimental science during this period offered an empirical model for how one could arrive at truth.
A secular movement, the Enlightenment strove to demonstrate that knowledge could only be derived from science and natural philosophy, not from religion. Indeed, religion and spirituality, particularly Catholicism, were relegated to the realm of the “irrational.” Enlightenment philosophers steadfastly believed that only through attention to rationality, reason, and balance could humankind improve. The thinkers of the Enlightenment looked for their models to the classical period of Greece and Rome, rejecting what they saw as the “barbarism” of the medieval period.
As the eighteenth century waned, however, growing numbers of thinkers and writers began to rebel against the rationality of the Enlightenment and to produce works that privileged the irrational, emotional responses and feelings, and the uncanny. They argued that truth could not be derived from pure thought but rather could be approached through the senses. In particular, Gothic literature, art, and architecture revolted against the strict rationality of the Enlightenment. Gothic writers looked to the Middle Ages for their models. While some scholars see the rise of the Gothic as a response to the Enlightenment, there are others who argue that the Gothic is an essential part of the Enlightenment, with the Gothic providing the mirror image of the Enlightenment. In either regard, the two movements are inextricably linked in the study of the eighteenth century.
The Age of Revolutions
A second major influence on the rise of the Gothic was the military and political situation in North America and Europe. The late eighteenth century was a time of revolt and violence. In North America, the thirteen English colonies banded together and fought for independence from England. The first bloodshed of the war was at the battles of Concord and Lexington in April of 1775. In July 1776, the delegates of the First Continental Congress meeting in Philadelphia declared independence, naming their country the United States of America. This was the first colonial war in England’s history and the first time a new country had come into being by a declaration of independence. The war ground on for some seven more years before the surrender of British General Cornwallis at Yorktown. This victory was largely made possible by assistance from the French, whose naval power prevented English ships from coming to the aid of their army. Although the founding fathers clearly were Enlightenment thinkers who depended on reason and rationality to justify their bid for independence, they were nonetheless radical thinkers who opened the door to a democratically governed as opposed to royally governed understanding of statehood.
If the outcome of the American Revolution came as a shock to Europeans, it was nonetheless a ripple compared to the tidal wave of the French Revolution, which began in 1789, just six years after the 1783 treaty that settled the American War. The French Revolution shook the foundations of European statehood and introduced long years of terror and cultural anxiety. Many critics see the foundation of the Gothic movement in the French Revolution. Ronald Paulson, for example, in his article “Gothic Fiction and the French Revolution,” argues that “The Gothic did in fact serve as a metaphor with which some...
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