Gore Vidal Criticism
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Vidal, Gore (Vol. 142)
- Introduction
- Principal Works
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Criticism
- Gore Vidal and the Screening of America
- Politics Is—Surprise!—Show Biz
- My O My O Myra
- How Pleasant To Be Enraged
- Tiresias' Truths
- TV Stations of the Cross
- Is Nothing Sacred?
- Meddling with Sacred History
- Ecce Homo
- When the Saints Go Marching In Again
- Further Revelations
- A Fiendish Gospel
- Everlasting Watch, But Movieless
- Star
- Bolts from Mt. Olympus
- The Red, White, and True
- Gentleman's Relish
- The Waspish Grandee
- The Vital Vidal
- Don't Look Back
- Isn't It Romantic?
- He Has Not Lived in Vain
- Private Faces, Public Places
- What Gore Remembers
- Palimpsest
- Class Act
- Still Almost on Target
- A Wrinkle in Time
- American Prodigies
- High Jinks and Low Jokes in Never-Land
- The Cosmopolitan Man
- Witness for the Prosecution
- The Smithsonian Institution
- Live from Golgotha: Gore Vidal and the Problem of Satiric Reinscription
- Novel of the Week
- Further Reading
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Vidal, Gore (Vol. 22)
- Introduction
- Gore Vidal: The Search for a King
- Resucitated Emperor
- The Last Pagan
- Crime: 'Death in the Fifth Position', 'Death before Bedtime', and 'Death Likes It Hot'
- Satire in Gore Vidal's 'Kalki'
- The Winds of Vidal
- Vidal's 5th Century B.C.
- Encyclopedic Fiction: 'Creation'
- Two Cheers for Zoroaster
- Back to the Cradle
- Imperial Dope
- Vidal, Gore (Vol. 6)
- Vidal, Gore (Vol. 10)
- Vidal, Gore (Vol. 2)
- Vidal, Gore (Vol. 4)
- Vidal, Gore (Vol. 8)