Summary
The narrator begins the story by announcing that he is a Pommeroy, that his father drowned when he was quite young, and that his mother told her children that their family relationships had a kind of permanence they would not likely find in life again. The Pommeroys enjoy the illusion that they are unique. The narrator then introduces the four children, their places of residence, and their spouses. The narrator relates that, as a family, the Pommeroys used to spend summers on Laud’s Head, an island off the Massachusetts coast, where, during the 1920’s, their father replaced the family cottage with a big house. It is the narrator’s favorite place in the world.
One afternoon late in the summer, all the family members have assembled on Laud’s Head, except Lawrence and his wife and children, who finally cross over from the mainland on the four o’clock boat. Although brother Chaddy and the narrator welcome Lawrence, the narrator remarks that family dislikes are deeply ingrained, and he remembers that twenty-five years before he hit Lawrence on the head with a rock. During the cocktail time after the new arrivals have settled in, it becomes obvious that Lawrence is not like the others, as he is critical of his sister, indifferent to what he drinks, and quarrelsome about being called “Tifty,” a nickname dating from his youth when his slippers used to make a “tifty, tifty” sound as he walked. His father coined the name. Lawrence has something of the Puritan cleric in his makeup, the narrator remarks, a nature reminiscent of the family’s precolonial ancestry. After dinner, the mother becomes drunk and quarrels with Lawrence about the repairs to the old house, which he insists is sliding slowly into the sea and is a waste of money to maintain. The narrator recalls the time when Lawrence, away at boarding school, decided to separate himself from his mother by not returning home for the Christmas holidays. The mother remarks, as she goes off to bed, that in her afterlife she is going to have a very different kind of family, one with “fabulously rich, witty, and enchanting children.”
The next morning, the narrator awakes to the sound of someone working on the tennis court. He meets Lawrence’s simpering children downstairs and asks Lawrence for a game but is turned down. Later in the morning, he finds his brother examining the house’s shingles; Lawrence observes that, though the house is relatively new, their father installed the two-hundred-year-old shingles to make it look venerable. The narrator remembers how in the past Lawrence upbraided the family for their refusal to join the modern world and for their retreat into what they supposed was a calmer and happier time, implying that such an attitude was a measure of an irremediable failure. The appearance of Mrs. Pommeroy, their mother, demonstrates to the narrator that there is little hope of any rapport between the matriarch and the changeling: Their mother suggests that they all go swimming, have martinis on the beach, and “have a fabulous morning.”
Lawrence’s rebukes to the family force them into a more strenuous physical regime and they swim more often. His comment to the Polish cook that she is sad and ought to get paid more angers her, and she tells the narrator to keep Lawrence out of her kitchen. One evening while playing backgammon after dinner, Lawrence becomes angered by his sister-in-law Odette’s flirting with the narrator. Lawrence reads significance and finality into every game; he “felt that in watching our backgammon he was observing the progress of a mordant tragedy in which...
(This entire section contains 1207 words.)
Unlock this Study Guide Now
Start your 48-hour free trial and get ahead in class. Boost your grades with access to expert answers and top-tier study guides. Thousands of students are already mastering their assignments—don't miss out. Cancel anytime.
Already a member? Log in here.
the money we won and lost served as a symbol for more vital forfeits,” says the narrator. Chaddy and the narrator play each other, their mother plays Chaddy, and Lawrence, as usual, gets in the parting shot by remarking that he thinks they would all “go crazy cooped up with one another . . . night after night”; he goes to bed.
That night the narrator dreams about Lawrence and remarks that he should not let him upset the restful vacation that he needs after working so hard during the year. The family prepares to go to a costume ball at a local club during which they are told to come as they wish they were. The narrator and his wife go as a bride and a football player, and the narrator notes that, with the transition wrought by the costumes, they feel as they had in the years before the war. They discover that many people have come to the dance as brides and football players. Lawrence and his wife arrive but are not in costume, and he refuses to dance with her and is appalled in general by the party and the behavior of its guests. The family does not get home until morning.
The next day Mrs. Pommeroy, the narrator’s wife, Helen, and Odette all enter their work in the flower show. Ruth, Lawrence’s wife, stays home and does her laundry. The narrator observes that Ruth “seems to scrub . . . with a penitential fervor”; he wonders what she thinks she has done wrong. Alone on the beach, he encounters Lawrence and notes his gloomy expression; he reassures him that it is only a summer day. Lawrence responds by confessing that he does not like it on the island, that he wants to sell his equity in the house, that he came back only to say good-bye. However, Lawrence has been saying good-bye to the family and to life as long as the narrator can remember. The narrator suggests that Lawrence fails to grasp the realities of life; Lawrence snaps back that the realities of life are that their mother is an alcoholic, Diana and Odette are promiscuous women, Chaddy is dishonest, and the narrator is a fool. As Lawrence walks away, his brother swings a water-sodden root from behind and hits him in the head. With the sudden strength of two men, the narrator rescues Lawrence from the undertow that was dragging the dazed man down. The narrator returns to the house and joins the others, back from the flower show. Lawrence shows up with a bloody bandage in his hand and confronts the family with the evil deed of his brother. He announces, “I don’t have any more time to waste here . . . I have important things to do,” and goes upstairs to pack.
The next morning, as Lawrence and Ruth leave for the mainland, only the mother gets up to say good-bye. The matriarch and the changeling look at each other “with a dismay that would seem like the powers of love reversed.” As the ferry blows its whistle in the distance, the narrator muses on the beautiful day and laments his brother’s fearsome outlook. “Oh, what can you do with a man like that?” he asks, one who will think only of the dark bottom of the sea where their father lies, rather than of the iridescent beauty of the surface, “the harsh surface beauty of life.” Later, on the beach, he sees his wife and sister, Helen and Diana, emerge “naked, unshy, beautiful, and full of grace,” from out of the sea.