A Good Man Is Hard to Find Summary
by Flannery O’Connor

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A Good Man Is Hard to Find Summary

Flannery O'Connor's short story "A Good Man is Hard to Find" depicts a family road trip that ends tragically.

  • The grandmother convinces her family to take a detour to go sightseeing.
  • On the detour, the car crashes into a ditch. The Misfit, an escaped convict, pulls up with his cronies, and the grandmother blurts out that she recognizes him.

  • The rest of the family is led into the woods to be murdered while the Misfit discusses religion with the grandmother. In a moment of Christian sympathy, the grandmother informs the Misfit that he is one of her children. The Misfit shoots her.


(Masterpieces of American Literature)

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“A Good Man Is Hard to Find” is one of O’Connor’s most frequently anthologized short stories, and it makes an excellent illustration of her ability to combine grotesque humor with serious thematic material.

The story opens as a family prepares to go on vacation in Florida. The story focuses immediately on the grandmother, who wants to visit relatives in east Tennessee and who uses the escape of the Misfit, a murderer, from prison to try to persuade her son, Bailey, to change his mind. He refuses. The two grandchildren, John Wesley and June Star, are quickly characterized as smart alecks who nevertheless understand their grandmother and her motives very well. When the family sets out, the grandmother is resigned to making the best of things. She is first to get into the car and has even, secretly, brought along her cat. As she rides along, her conversation is conventional, self-centered, and shallow.

When the family stops for lunch at a barbeque stand, their conversation again turns to the Misfit, and the adults agree that people are simply not as nice as they used to be. Later, back in the car, the grandmother persuades Bailey to take a road which she imagines (wrongly, as it turns out) will lead by an old mansion. Suddenly the cat escapes its basket and jumps on Bailey’s neck, and the car runs into the ditch. As the family assesses its injuries, a man who is obviously the Misfit drives up with his armed henchmen. The grandmother immediately feels that she recognizes him as someone she has known all of her life, and she tells him that she knows who he is.

Methodically, the henchmen lead first Bailey and then the mother and children off to be shot in the woods while the Misfit begins to talk about himself and his life of crime. He blames his career on Jesus, who, he says, threw everything “off balance” by raising the dead. Because the Misfit cannot be sure that the miracle really occurred, he cannot know how to think about it. If Jesus really raised the dead, the Misfit says, the only logical response would be to drop everything and follow him. If he did not, then life is meaningless and only crime makes sense: “No pleasure but in meanness.”

The grandmother is terrified; she knows that she, too, will be shot. Yet she knows something more, and suddenly she stops her empty prayers and meaningless assertions that the Misfit is a “good man,” to utter perhaps the truest words of her life in telling him that he is one of her own children. At that, the Misfit shoots her, but he says that she would have been a good woman if someone had been there to shoot her every minute of her life. O’Connor intends the reader to take the Misfit’s comments seriously (he is the most serious-minded character in the story, after all) and notice that the grandmother, in her moment of receiving grace, has recognized that she and the Misfit (and presumably all the rest of humanity) are related as children of God. She is left in death smiling up at God’s sky.


(Society and Self, Critical Representations in Literature)

“A Good Man Is Hard to Find,” the title story of Flannery O’Connor’s first collection of short stories, is one of her most anthologized stories. As in most of her stories, the theme of identity in this story involves O’Connor’s Christian conviction about the role of sin, particularly the sin of pride, in distorting one’s true identity. The focal character in the...

(The entire section is 2,560 words.)