Miss Rehana

Miss Rehana is introduced as a strikingly beautiful Indian woman, with her eyes particularly highlighted as "large and black and bright enough not to need the help of antimony." This reference likens her eyes to luminous jewels, so radiant that they require no enhancement. In celebrating her beauty, particularly her eyes, the narrative simultaneously pays homage to India itself. Her allure leaves a notable impression on those she encounters, including the typically rude lala at the consulate gate, who extends her uncommon courtesy. Her enchanting presence is powerful enough to make the elderly Muhammad Ali feel young again, compelling him to offer assistance in arranging a free passport for her.

However, Miss Rehana's character goes beyond mere beauty. She exhibits a self-assured and independent demeanor, distinguishing her from the other women at the British consulate who arrive escorted and veiled. She confidently approaches the consulate unaccompanied and unveiled, seemingly unfazed by the environment. Her interaction with Muhammad Ali showcases her calm confidence; she smiles readily as he speaks, never appearing to lose her composure, even when he remarks that the British consulate is "a worse place than any police station." Her response, "is it so, truly," carries an ambiguous tone, suggesting either apprehension or an astute awareness that paves the way for a hidden agenda.

Miss Rehana's role in the story is steeped in irony, with her eyes symbolizing much more than superficial allure. The audience, much like Muhammad Ali, is kept unaware of her true intentions until she reveals them, showcasing her successful manipulation of the situation to avoid traveling to England. This withholding of information enhances her influence over both Muhammad and the reader, portraying her as a figure of empowerment. Her story parallels the broader theme of postcolonial empowerment, as she embodies a "postcolonial" dynamic with the men in the narrative, particularly Muhammad Ali. Refusing to be defined by others, she intends to lead a life of independence, remaining unmarried as an ayah to children she adores.

Muhammad Ali

Muhammad Ali is portrayed as an "old grey-hair fraud," who, while potentially an antagonist, garners sympathy through his endearing interactions. Despite his role as a trickster, he is a character imbued with warmth and good intentions, especially when charmed by the beauty of Miss Rehana. He takes pleasure in presenting himself as a person of significance, exemplified when he tells Miss Rehana "Tip-top" while reviewing her documents, assuming the guise of an official.

His identity is intricately tied to his perceived ability to dispense advice, a trait that in previous circumstances has led to the detriment of other women visiting the consulate. This aspect mirrors the historical British colonial presence, which fraudulently claimed dominion over nations. Yet, contrary to the exploitative colonial relationship, Muhammad Ali genuinely cares for Miss Rehana's well-being. His concern culminates in a moment of sincere congratulation, as he offers "felicitations, daughter, on what is obviously your hour of triumph," acknowledging her achievement and newfound independence.

Ultimately, Muhammad Ali is a complex figure who combines elements of deception and genuine care. His interactions with Miss Rehana not only illuminate the nuanced relationships depicted in the narrative but also reflect broader commentaries on authority and empowerment. Despite his initial motivations, his character arc concludes with a heartfelt recognition of Miss Rehana's success, symbolizing a shift from patriarchal influence to mutual respect and admiration.